A work in constant progress (and occasional regress).
Birthplace:
Aberdeen, Scotland
Born:
September 30, 2002
Cameron Dinan is a filmmaker from Scotland known for making documentaries. One of his notable projects is "The Grammar Stuff Documentary," released in 2020, which explores the lives of various participants during their university careers. He is also the director of the upcoming sequel titled "Where Do We Go From Here?" set to be released in 2025. This new documentary will continue following the lives of the original participants, providing an update on their experiences since the first film. Dinan's work is appreciated for its reflective and intimate portrayal of young adults navigating crucial life stages. His documentaries emphasize the complexities of personal development and the harsh nature that comes with navigating the future as a young person
Cinematography:
2025 Where Do We Go From Here?
Director:
2020 The Grammar Stuff Documentary
2021 Nikes
2022 Nights
2023 Futura Free
2024 Is That It?
2025 Where Do We Go From Here?
Director of Photography:
2020 The Grammar Stuff Documentary
2021 Nikes
2022 Nights
2023 Futura Free
2024 Is That It?
2025 Where Do We Go From Here?
Editor:
2020 The Grammar Stuff Documentary
2021 Nikes
2022 Nights
2023 Futura Free
2024 Is That It?
2025 Where Do We Go From Here?
Story:
2020 The Grammar Stuff Documentary
2021 Nikes
2022 Nights
2023 Futura Free
2024 Is That It?
2025 Where Do We Go From Here?
Writer:
2020 The Grammar Stuff Documentary
2021 Nikes
2022 Nights
2023 Futura Free
2024 Is That It?
2025 Where Do We Go From Here?
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.