Elliott Power

Birthplace:
London, England, UK

Elliott Power is a West London based multidisciplinary director and musician known for his genre-blurring artistic endeavours. With his distinct creative voice, Elliott has carved out a unique space for himself, his meticulous attention to detail, combined with a off kilter narrative style, has captivated audiences, quickly garnering him a dedicated following.

Additional information:

The Search Form


Director:
2020  Hennessy: Maurice Ashley, the Grandmaster
2021  Eartheater: Faith Consuming Hope
2021  Facebook: Skate Nation Ghana
2022  Bureau of Travel & Tourism: Let Travel Do What Travel Does
2022  Miink: Paper Doll
2022  StockX: Own It
2023  Bloc Party: So Here We Are
2023  Channel 4: Idents
2023  Clio Peppiatt: Bon Appétit
2023  EE: Broadband Made for Working from Home
2023  EE: Freedom
2023  Las Vegas: Excessive Celebration (Touch Down in Vegas)
2023  WhatsApp: Here When You Can't Be There
2024  B&Q: The Voice
2024  Cadillac: Go Louder
2024  Lexus: Rise To It
2024  New Balance: Grey Days

Executive Producer:
2020  Hennessy: Maurice Ashley, the Grandmaster
2021  Eartheater: Faith Consuming Hope
2021  Facebook: Skate Nation Ghana
2022  Bureau of Travel & Tourism: Let Travel Do What Travel Does
2022  Miink: Paper Doll
2022  StockX: Own It
2023  Bloc Party: So Here We Are
2023  Channel 4: Idents
2023  Clio Peppiatt: Bon Appétit
2023  EE: Broadband Made for Working from Home
2023  EE: Freedom
2023  Las Vegas: Excessive Celebration (Touch Down in Vegas)
2023  WhatsApp: Here When You Can't Be There
2024  B&Q: The Voice
2024  Cadillac: Go Louder
2024  Lexus: Rise To It
2024  New Balance: Grey Days

Writer:
2020  Hennessy: Maurice Ashley, the Grandmaster
2021  Eartheater: Faith Consuming Hope
2021  Facebook: Skate Nation Ghana
2022  Bureau of Travel & Tourism: Let Travel Do What Travel Does
2022  Miink: Paper Doll
2022  StockX: Own It
2023  Bloc Party: So Here We Are
2023  Channel 4: Idents
2023  Clio Peppiatt: Bon Appétit
2023  EE: Broadband Made for Working from Home
2023  EE: Freedom
2023  Las Vegas: Excessive Celebration (Touch Down in Vegas)
2023  WhatsApp: Here When You Can't Be There
2024  B&Q: The Voice
2024  Cadillac: Go Louder
2024  Lexus: Rise To It
2024  New Balance: Grey Days

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.