Kim Stadfeld

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Birthplace:
Winnipeg, Manitoba, Canada

Kim Stadfeld is an Anishinaabe woman (she/her) originally from Winnipeg, Manitoba currently living in Toronto Ontario. She is Ojibway/Métis on her mother’s side and Icelandic on her father’s side. Kim is a proud member of the Brokenhead Ojibway First Nation in Treaty 1 Territory.  She is a bead work artist, aspiring writer and a video Post-Production professional with over 25 years Broadcast Television experience. Kim is a graduate from the University of Manitoba Bachelor of Arts Native Studies program and also studied Media Production at Assiniboine Community College in Brandon, Manitoba.  Kim recently expanded her voice as an artist at the 2020 Indigenous Storytellers and Spoken Word Residency at the Banff Centre for Arts and Creativity. Her first film ‘Kokum, with love.’ is created through the NSI Canada IndigiDocs program and produced with the assistance of the CrossCurrents Canada Doc Fund, with support from Netflix.  Kim is a proud mother, a grandmother, a lifelong learner and a spiritual seeker who is passionate about art, new media, Indigenous storytelling and family histories.

Additional information:

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Director:
2022  Kokum, with love.
2025  Red Girl Rising

Producer:
2022  Kokum, with love.
2025  Red Girl Rising

Writer:
2022  Kokum, with love.
2025  Red Girl Rising

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.