Jon Jacobsen

Jon Jacobsen is an artist and photographer from Chile. Self-taught, he started creating conceptual self-portraits at age 15 in his hometown, Quintero. Jacobsen's work contains graphic, narrative images, and uses symbolism and the abstract through different digital techniques, such as photo manipulations, illustrations and .GIF images.  Taking conventional portrait and self portrait as a starting point, Jacobsen covers different topics exploring the limits of the body as well as the vulnerability of beings interpreted through the use of digital formats. His interest in different disciplines has allowed him to collaborate with different artists around the world, always trying to find new ways to represent an image.  His work has been exhibited and published extensively in Chile and European countries, acknowledged by magazines such as WIRED, Vogue.it, Dazed, i-D and The Yale Globalist.  In 2014, Jacobsen opened his first solo exhibition called Maps. In that same year, his work called The Present was featured in The Creators Project as one of the year's breakthrough pieces. He was also a runner-up in the contest Motion Photography organized by the Saatchi Gallery in 2014. In early 2015, his work was part of the show Arte Joven Contemporáneo in the Visual Arts Museum (MAVI) in Santiago de Chile.

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Creative Director:
2017  The Metamorphosis

Director:
2017  The Metamorphosis

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.