Ian Coursey

Birthplace:
Silver Spring, Maryland

Ian grew up in Silver Spring, Maryland singing around the house and playing baseball with his brother Connor. As he grew older, he began to train as an actor, performing in productions with educational theatre companies in the area. He spent years with The Young Artists of America, Ovations Theatre and the Good Counsel Theatre Company. When the COVID-19 Pandemic hit, Ian continued to create theatre alongside many of the friends he made doing theatre in high school. Ian co-founded an educational theatre company, titled Virtual Cue. With Virtual Cue, Ian passed on his knowledge to young theatre-lovers in the D.C area who did not have the same opportunities he did, because of the pandemic. During this time, Ian also found new ways to create theatre, originating roles in online-workshops written by his best friend Daniel Seligman. Ian also picked up the guitar and began to fall in love with other aspects of musical theatre, including music direction, orchestration, and composition. In 2020, Ian began attending The University of Michigan, getting his B.F.A in Musical Theatre and a minor in music composition. At "UMich", Ian starred in several productions, including DOGFIGHT (Eddie Birdlace), and HAIR (George Berger). Ian also assistant music directed the school's production of Andrew Lippa's THE WILD PARTY under the music direction of Jason DeBord, and played saxophone in the pit of FUNNY GIRL. In 2022, Ian joined the National Tour of DEAR EVAN HANSEN understudying the roles of Connor and Jared.

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.