A work in constant progress (and occasional regress).
Birthplace:
Tatarstan, Russia
Born:
February 26, 1995
Timur Aslaev was born on February 26, 1995, in the small town of Azanakaevo, Tatarstan, to a family of chemical engineers. At the age of three, his father moved the family to Pangody, Siberia, in search of work amid the economic decay of the post-Soviet era. The vast, quiet landscapes and monumental winters profoundly shaped Timur's outlook. In his youth, music, particularly the guitar and composition, became his guiding force. In 2012, Timur relocated to Canada to study computer technologies, eventually working in cybersecurity, where he participated in global projects and technological experiments. However, his exploration of the meditative qualities of moving images and reverence for storytelling led him toward film, which soon became his orienteer. Now based in Montreal, he completed his short film, Anastasia, an exploration of grief and its effect on a child. Literature and music remain his greatest admirations, shaping his artistic voice. Timur continues to evolve as a filmmaker, grounded in his cultural heritage while pursuing meaningful, introspective cinema. Today, he's in post production of his documentary Avec le vent et les feuilles and writing his new fiction project.
Assistant Art Director:
2024 Journal de la sentinelle
Director:
2024 Anastasia
2024 Journal de la sentinelle
Editor:
2024 Anastasia
2024 Journal de la sentinelle
Gaffer:
2024 Anastasia
2024 Journal de la sentinelle
Sound Designer:
2024 Anastasia
2024 Journal de la sentinelle
Sound Editor:
2024 Anastasia
2024 Journal de la sentinelle
???? The Clearing
Writer:
2024 Anastasia
2024 Journal de la sentinelle
???? The Clearing
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.