Timur Aslaev (b. 1995)

Birthplace:
Tatarstan, Russia

Born:
February 26, 1995

Timur Aslaev was born on February 26, 1995, in the small town of Azanakaevo, Tatarstan, to a family of chemical engineers. At the age of three, his father moved the family to Pangody, Siberia, in search of work amid the economic decay of the post-Soviet era. The vast, quiet landscapes and monumental winters profoundly shaped Timur's outlook. In his youth, music, particularly the guitar and composition, became his guiding force.  In 2012, Timur relocated to Canada to study computer technologies, eventually working in cybersecurity, where he participated in global projects and technological experiments. However, his exploration of the meditative qualities of moving images and reverence for storytelling led him toward film, which soon became his orienteer.  Now based in Montreal, he completed his short film, Anastasia, an exploration of grief and its effect on a child. Literature and music remain his greatest admirations, shaping his artistic voice. Timur continues to evolve as a filmmaker, grounded in his cultural heritage while pursuing meaningful, introspective cinema. Today, he's in post production of his documentary Avec le vent et les feuilles and writing his new fiction project.

Additional information:

The Search Form


Assistant Art Director:
2024  Journal de la sentinelle

Director:
2024  Anastasia
2024  Journal de la sentinelle

Editor:
2024  Anastasia
2024  Journal de la sentinelle

Gaffer:
2024  Anastasia
2024  Journal de la sentinelle

Sound Designer:
2024  Anastasia
2024  Journal de la sentinelle

Sound Editor:
2024  Anastasia
2024  Journal de la sentinelle
????  The Clearing

Writer:
2024  Anastasia
2024  Journal de la sentinelle
????  The Clearing

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.