Joaquín Manchado

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Assistant Camera:
1981  Amor es... veneno, Carlota
1982  Las chicas del bingo
1986  Year of Enlightment
1988  Women on the Verge of a Nervous Breakdown

Camera Operator:
1981  Amor es... veneno, Carlota
1982  Las chicas del bingo
1986  Year of Enlightment
1988  Women on the Verge of a Nervous Breakdown
2001  The Devil's Backbone
2004  Bad Education
2006  The Maidens' Conspiracy
2006  Volver
2006  Zidane: A 21st Century Portrait
2009  Broken Embraces
2011  The Skin I Live In
2023  Strange Way of Life

Cinematography:
1981  Amor es... veneno, Carlota
1982  Las chicas del bingo
1986  Year of Enlightment
1988  Women on the Verge of a Nervous Breakdown
2001  The Devil's Backbone
2004  Bad Education
2006  The Maidens' Conspiracy
2006  Volver
2006  Zidane: A 21st Century Portrait
2007  Final
2009  Broken Embraces
2011  The Skin I Live In
2023  Strange Way of Life

Director of Photography:
1981  Amor es... veneno, Carlota
1982  Las chicas del bingo
1986  Year of Enlightment
1988  Women on the Verge of a Nervous Breakdown
1998  Andrología
2001  The Devil's Backbone
2004  Bad Education
2006  The Maidens' Conspiracy
2006  Volver
2006  Zidane: A 21st Century Portrait
2007  Final
2009  Broken Embraces
2009  The Cannibalistic Councillor
2011  The Skin I Live In
2013  La venta del paraíso
2014  Love Is More Than I Can Handle
2015  Jingle
2023  Strange Way of Life

Steadicam Operator:
1981  Amor es... veneno, Carlota
1982  Las chicas del bingo
1986  Year of Enlightment
1988  Women on the Verge of a Nervous Breakdown
1992  Orquesta Club Virginia
1996  Like a Bolt of Lightning
1998  Andrología
1998  The Grandfather
1999  Manos de seda
2000  Sexy Beast
2001  The Devil's Backbone
2004  Bad Education
2006  The Maidens' Conspiracy
2006  Volver
2006  Zidane: A 21st Century Portrait
2007  Final
2009  Broken Embraces
2009  The Cannibalistic Councillor
2011  The Skin I Live In
2013  La venta del paraíso
2014  Love Is More Than I Can Handle
2015  Jingle
2023  Strange Way of Life

Director of Photography:
2018  Fugitiva

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.