Duy Do

Alias:
Dewey Doe
Thuong Lan

Birthplace:
San Diego, California, USA

Duy Do is a Vietnamese-American filmmaker and actor. Do studied Television, Film, and New Media with an emphasis on production at San Diego State University. He is the founder and co-president of MineCo Pictures, along with frequent collaborator, Jordan Pringle.

Additional information:

The Search Form


Costume Designer:
2019  The Telegram
2023  The Chest of Ryou

Director:
2019  THE END OF THE DOCTOR'S REPORT
2019  The Telegram
2023  The Chest of Ryou
2023  The Payphone
????  Sink Chicken

Director of Photography:
2019  THE END OF THE DOCTOR'S REPORT
2019  The Telegram
2023  The Chest of Ryou
2023  The Payphone
????  Sink Chicken

Editor:
2019  THE END OF THE DOCTOR'S REPORT
2019  The Telegram
2023  The Chest of Ryou
2023  The Payphone
2024  The Fortune Seller
????  Sink Chicken

Gaffer:
2019  THE END OF THE DOCTOR'S REPORT
2019  The Telegram
2023  The Chest of Ryou
2023  The Payphone
2024  The Fortune Seller
????  Read Em’ and Weep
????  Sink Chicken

Grip:
2019  THE END OF THE DOCTOR'S REPORT
2019  The Telegram
2023  The Chest of Ryou
2023  The Payphone
2024  Bringing Someone To Life
2024  Dissonance
2024  The Fortune Seller
????  Read Em’ and Weep
????  Sink Chicken

Producer:
2019  THE END OF THE DOCTOR'S REPORT
2019  The Telegram
2023  The Chest of Ryou
2023  The Payphone
2024  Bringing Someone To Life
2024  Dissonance
2024  The Fortune Seller
????  Read Em’ and Weep
????  Sink Chicken

Production Designer:
2019  THE END OF THE DOCTOR'S REPORT
2019  The Telegram
2023  The Chest of Ryou
2023  The Payphone
2024  Bringing Someone To Life
2024  Dissonance
2024  The Fortune Seller
????  Read Em’ and Weep
????  Sink Chicken

Second Assistant Camera:
2019  THE END OF THE DOCTOR'S REPORT
2019  The Telegram
2023  The Chest of Ryou
2023  The Payphone
2024  Bringing Someone To Life
2024  Dinner Time
2024  Dissonance
2024  Ephemeral
2024  The Fortune Seller
????  Read Em’ and Weep
????  Sink Chicken

Stage Director:
2019  THE END OF THE DOCTOR'S REPORT
2019  The Telegram
2023  The Chest of Ryou
2023  The Payphone
2024  Bringing Someone To Life
2024  Dinner Time
2024  Dissonance
2024  Ephemeral
2024  The Fortune Seller
????  Read Em’ and Weep
????  Sink Chicken

Writer:
2019  THE END OF THE DOCTOR'S REPORT
2019  The Telegram
2023  The Chest of Ryou
2023  The Payphone
2024  Bringing Someone To Life
2024  Dinner Time
2024  Dissonance
2024  Ephemeral
2024  The Fortune Seller
????  Read Em’ and Weep
????  Sink Chicken

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.