Tammi Rogers

Tammi Rogers is from Baltimore, MD and was born to entertain. Her love for the arts began early in life when she would accompany her mother to stage plays and concerts, at the tender age of 3 years old. Her God-given natural ability to command attention shines onstage and backstage. She wears many hats -- as an actor, director, acting coach, producer, script supervisor, props manager, singer, and speaker (to name a few). In 2018, she became the Resident Acting Coach for The Actors Academy Baltimore, an acting group that offers classes to actors in the D.C./Maryland/Virginia (DMV) area. This versatile award-winning performer has been acting for 35+ years and has appeared in many local community stage plays and independent films. She has received numerous Acting awards, most recently the World Music & Independent Film Festival (WMIFF) Top 20 DMV Actors & Actresses 2023; and the 2023 Best Actress Of The Year Award and Best Acting Coach of the Year Award at the 35th Annual Newsome Awards.  She finally made her debut at the world-famous Arena Players, Inc. in Baltimore, MD - March 2016 in the stage play, Witness for the Prosecution. She has graced the stage with and understudied for the following powerhouse actresses/singers - Shirley Murdock and D'atra Hicks, in Crystal L. Bass' Ain't No Love Like A Mother's Love stage play.  She thanks Roosevelt Jackson [Roosevelt Entertainment] for introducing her to the world of acting in cinema by casting her in her first feature-length film, Life According to Rasheada. She also thanks Ursula V. Battle [Battle Stage Plays] for allowing her to perform in several Battle Stage Plays, and co-directing two of the stage plays, 7 Days and A Christmas Miracle.  After working with her acting coach, Stephen Mitchell of Cine-Paris Productions, she has starred in her own one-woman show (The Interloper - which was available on Amazon Prime Video) and has been featured in several other films written by him, including her TV series, Ask Aunt Lolly. With a humbled heart and spirit, she thanks God for allowing her to draw people to Christ through drama.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.