Elena de Aras (b. 2003)

Birthplace:
Sevilla, Spain

Born:
January 10, 2003

Audiovisual Communication student (US). She started creating audiovisual content at a young age, experimenting with video editing and montage as a hobby. In 2019, she directed her first music video for Mauricio Buendía's single "Crawling Back To You", which led to further projects and a growing connection with short films. In 2023, her career gained momentum as she worked as an assistant director on "Milagrosa" for Ubrique de Cine. In March, she co-founded "Límite", a youth audiovisual collective, to participate in the III Edition of "Castilblanco y ¡Acción!". Her work as a director stands out in the DHRueda competition with "Y nosotros también", which won five awards: Best Direction, Best Screenplay, Best Integrated Slogan, Best Emerging Short Film, and Second Prize. She also participated in the "Rally 36h" of the *Mairena Creativa* competition with "Philm"—where she served as director, screenwriter, and editor—winning Best Screenplay. Her latest projects include "Durmiente" by María Gómez, where she worked as a Production Director. The film, part of the "Rodando Por Jaén" competition, features actors such as Lorca Prada ("El universo de Óliver"), Manué Rodríguez, and Marta Hoyos ("La chica invisible"). Another recent work, "Pepita Petanca", co-directed with Alejandro Mateos, won Best Cinematography at "Guadalcanal en Corto". Her most recent projects are "Hacia la Victoria" and "Laia".

Additional information:

The Search Form


BTS Photographer:
2024  Towards Victory

Camera Operator:
2023  Philm
2024  Towards Victory

Cinematography:
2023  Philm
2024  Absence
2024  Towards Victory

Director:
2023  Pepita Petanca
2023  Philm
2023  Y nosotros también.
2024  Absence
2024  Ratería
2024  Towards Victory
2025  Laia

Director of Photography:
2023  Estertor
2023  Pepita Petanca
2023  Philm
2023  Y nosotros también.
2024  Absence
2024  Ratería
2024  Towards Victory
2025  Laia

Editor:
2023  Estertor
2023  Pepita Petanca
2023  Philm
2023  Y nosotros también.
2024  Absence
2024  Ratería
2024  Towards Victory
2025  Laia

Graphic Designer:
2023  Estertor
2023  Pepita Petanca
2023  Philm
2023  Y nosotros también.
2024  Absence
2024  Ratería
2024  Towards Victory
2025  Laia

Producer:
2023  Estertor
2023  Pepita Petanca
2023  Philm
2023  Y nosotros también.
2024  Absence
2024  Ratería
2024  Towards Victory
2025  Laia
????  Durmiente

Production Assistant:
2023  Estertor
2023  Pepita Petanca
2023  Philm
2023  Y nosotros también.
2024  Absence
2024  Ratería
2024  Towards Victory
2025  Laia
????  Durmiente

Production Coordinator:
2023  Estertor
2023  Pepita Petanca
2023  Philm
2023  Y nosotros también.
2024  Absence
2024  Ratería
2024  Towards Victory
2025  Laia
????  Durmiente

Production Director:
2023  Estertor
2023  Pepita Petanca
2023  Philm
2023  Y nosotros también.
2024  Absence
2024  Ratería
2024  Towards Victory
2025  Laia
????  Durmiente

Screenplay:
2023  Estertor
2023  Pepita Petanca
2023  Philm
2023  Y nosotros también.
2024  Absence
2024  Ratería
2024  Towards Victory
2025  Laia
????  Durmiente

Sound Editor:
2023  Estertor
2023  Pepita Petanca
2023  Philm
2023  Y nosotros también.
2024  Absence
2024  Ratería
2024  Towards Victory
2025  Laia
????  Durmiente

Writer:
2023  Estertor
2023  Pepita Petanca
2023  Philm
2023  Y nosotros también.
2024  Absence
2024  Ratería
2024  Towards Victory
2025  Laia
????  Durmiente

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.