A work in constant progress (and occasional regress).
Birthplace:
Sevilla, Spain
Born:
January 10, 2003
Audiovisual Communication student (US). She started creating audiovisual content at a young age, experimenting with video editing and montage as a hobby. In 2019, she directed her first music video for Mauricio Buendía's single "Crawling Back To You", which led to further projects and a growing connection with short films. In 2023, her career gained momentum as she worked as an assistant director on "Milagrosa" for Ubrique de Cine. In March, she co-founded "Límite", a youth audiovisual collective, to participate in the III Edition of "Castilblanco y ¡Acción!". Her work as a director stands out in the DHRueda competition with "Y nosotros también", which won five awards: Best Direction, Best Screenplay, Best Integrated Slogan, Best Emerging Short Film, and Second Prize. She also participated in the "Rally 36h" of the *Mairena Creativa* competition with "Philm"—where she served as director, screenwriter, and editor—winning Best Screenplay. Her latest projects include "Durmiente" by María Gómez, where she worked as a Production Director. The film, part of the "Rodando Por Jaén" competition, features actors such as Lorca Prada ("El universo de Óliver"), Manué Rodríguez, and Marta Hoyos ("La chica invisible"). Another recent work, "Pepita Petanca", co-directed with Alejandro Mateos, won Best Cinematography at "Guadalcanal en Corto". Her most recent projects are "Hacia la Victoria" and "Laia".
BTS Photographer:
2024 Towards Victory
Camera Operator:
2023 Philm
2024 Towards Victory
Cinematography:
2023 Philm
2024 Absence
2024 Towards Victory
Director:
2023 Pepita Petanca
2023 Philm
2023 Y nosotros también.
2024 Absence
2024 Ratería
2024 Towards Victory
2025 Laia
Director of Photography:
2023 Estertor
2023 Pepita Petanca
2023 Philm
2023 Y nosotros también.
2024 Absence
2024 Ratería
2024 Towards Victory
2025 Laia
Editor:
2023 Estertor
2023 Pepita Petanca
2023 Philm
2023 Y nosotros también.
2024 Absence
2024 Ratería
2024 Towards Victory
2025 Laia
Graphic Designer:
2023 Estertor
2023 Pepita Petanca
2023 Philm
2023 Y nosotros también.
2024 Absence
2024 Ratería
2024 Towards Victory
2025 Laia
Producer:
2023 Estertor
2023 Pepita Petanca
2023 Philm
2023 Y nosotros también.
2024 Absence
2024 Ratería
2024 Towards Victory
2025 Laia
???? Durmiente
Production Assistant:
2023 Estertor
2023 Pepita Petanca
2023 Philm
2023 Y nosotros también.
2024 Absence
2024 Ratería
2024 Towards Victory
2025 Laia
???? Durmiente
Production Coordinator:
2023 Estertor
2023 Pepita Petanca
2023 Philm
2023 Y nosotros también.
2024 Absence
2024 Ratería
2024 Towards Victory
2025 Laia
???? Durmiente
Production Director:
2023 Estertor
2023 Pepita Petanca
2023 Philm
2023 Y nosotros también.
2024 Absence
2024 Ratería
2024 Towards Victory
2025 Laia
???? Durmiente
Screenplay:
2023 Estertor
2023 Pepita Petanca
2023 Philm
2023 Y nosotros también.
2024 Absence
2024 Ratería
2024 Towards Victory
2025 Laia
???? Durmiente
Sound Editor:
2023 Estertor
2023 Pepita Petanca
2023 Philm
2023 Y nosotros también.
2024 Absence
2024 Ratería
2024 Towards Victory
2025 Laia
???? Durmiente
Writer:
2023 Estertor
2023 Pepita Petanca
2023 Philm
2023 Y nosotros también.
2024 Absence
2024 Ratería
2024 Towards Victory
2025 Laia
???? Durmiente
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.