A work in constant progress (and occasional regress).
Sound:
1975 Far From Home
1983 Das Wagnis des Arnold Janssen
1985 Morenga
2003 Antonia – Tränen im Paradies
2004 21 Liebesbriefe
2005 Damals warst Du still
2006 Franziskas Gespür für Männer
2006 Havana: The New Art of Making Ruins
2007 Das zweite Leben
2007 Mein Mörder kommt zurück
2008 A Long Way Home
2008 Einer bleibt sitzen
2011 Adel Dich
Sound Engineer:
1975 Far From Home
1983 Das Wagnis des Arnold Janssen
1985 Morenga
1986 Ein fernes Leben
1986 Tür an Tür
2003 Antonia – Tränen im Paradies
2004 21 Liebesbriefe
2005 Damals warst Du still
2006 Franziskas Gespür für Männer
2006 Havana: The New Art of Making Ruins
2007 Das zweite Leben
2007 Mein Mörder kommt zurück
2008 A Long Way Home
2008 Einer bleibt sitzen
2011 Adel Dich
Sound Mixer:
1975 Far From Home
1983 Das Wagnis des Arnold Janssen
1985 Morenga
1986 Ein fernes Leben
1986 Tür an Tür
2001 Sind denn alle netten Männer schwul
2003 Antonia – Tränen im Paradies
2004 21 Liebesbriefe
2004 Das Zimmermädchen und der Millionär
2005 Damals warst Du still
2006 Franziskas Gespür für Männer
2006 Havana: The New Art of Making Ruins
2007 Das zweite Leben
2007 Mein Mörder kommt zurück
2008 A Long Way Home
2008 Einer bleibt sitzen
2011 Adel Dich
Sound Recordist:
1975 Far From Home
1983 Das Wagnis des Arnold Janssen
1985 Morenga
1986 Ein fernes Leben
1986 Tür an Tür
2001 Sind denn alle netten Männer schwul
2003 Antonia – Tränen im Paradies
2004 21 Liebesbriefe
2004 Das Zimmermädchen und der Millionär
2005 Damals warst Du still
2005 Mein Vater, seine Neue und ich
2006 Franziskas Gespür für Männer
2006 Havana: The New Art of Making Ruins
2007 Das zweite Leben
2007 Mein Mörder kommt zurück
2008 A Long Way Home
2008 Einer bleibt sitzen
2009 Lilys Geheimnis
2011 Adel Dich
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.