Ronit Avni

Ronit Avni is a tech and media entrepreneur and Peabody award-winning producer. She is the founder and CEO of Localized, a platform that connects students and recent graduates from emerging markets to global professionals who share language, culture and roots - drawing on diaspora networks--as well as to employers looking to hire talent in growth markets. Localized serves business and engineering students from Tunis to Bangalore. Localized was a finalist for the 2018 Next Billion Prize at the Global Education and Skills Forum in Dubai, overseen by the Editor-at-Large of TechCrunch, and a Vinetta Finalist in Washington, DC. Ronit was named a "2018 Power Woman in Tech" by DCA Live and a Young Global Leader through the World Economic Forum.  Previously Ronit founded and served as the first Executive Director (2003-2014) of Just Vision. Her work has been featured in dozens of major international news outlets, including The Washington Post, The BBC, NPR, The Economist, Al Jazeera and many more. For over a decade, Ronit led a diverse team, ensuring Just Vision's relevance, credibility and success. She is a frequent speaker in think tank, community, government, international, educational and influential media settings.  Ronit co-produced the documentary film, Naila and the Uprising, executive produced Just Vision's Peabody Award-winning film, My Neighbourhood, and produced the documentary film, Budrus, which was hailed in The New York Times as "this year's must-see documentary." Budrus screened in 185 cities, premiered in 53 film festivals and won more than 15 awards. Under Ronit's leadership, Just Vision won the highly competitive 2012 PUMA Creative Impact Award for Budrus.  Ronit directed and produced the documentary film, Encounter Point, which premiered at the Tribeca Film Festival and received numerous awards including two Audience Awards for Best Documentary in San Francisco and Montreal. Encounter Point has screened in 200+ cities worldwide and continues to be used in classrooms and community centers. It reached millions of TV viewers on networks such as CBC, Al Arabiya, HBO Latin America and more.  During Ronit's tenure, Just Vision initiated and launched the growing news and analysis site, Local Call (mekomit.co.il), in partnership with 972 Advancement of Citizen Journalism and ActiveStills. In its first six months, the site garnered more than 500,000 viewers and has now exceeded 3,200,000.  Previously, Ronit trained human rights defenders worldwide to incorporate film and digital media into their advocacy campaigns while working for Peter Gabriel's human rights organization, WITNESS. She co-edited the book, "Video for Change - A Guide for Advocacy and Activism" with WITNESS and now sits on the WITNESS Advisory Council.  Ronit has been recognized with a variety of honors, including the King Hussein Leadership Prize, Search for Common Ground’s Common Ground Award, the Circles of Change Award, Auburn Seminary’s Lives of Commitment Award for women who “bridge religious divides, build community, and pursue justice,” the Trailblazer Award from the National Council for Research on Women.

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Director:
2006  Encounter Point

Executive Producer:
2006  Encounter Point
2012  My Neighbourhood

Producer:
2006  Encounter Point
2010  Budrus
2012  My Neighbourhood

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.