Lindsay Taylor Stewart

Lindsay Taylor Stewart is an American producer & versatile creative whose career in film production, theatre, and drama education spans 15 years and multiple international cites. Her experience as a production manager, casting director, and acting coach has landed her notable credits with Lionsgate, Warhorse Studios (CZ), Hound Media (LA), Rhyme Media (Egypt), among many indie projects when she founded Prague Film & Theatre Center in 2010. She has her B.A. in Theatre Arts with a formal US teaching certification in Drama, English, and TESOL with continuing credits from London Academy of Music & Dramatic Arts (LAMDA) & Juilliard. A life-long advocate of the performing arts, she regularly performs with Prague Shakespeare Company and creates her own devised works through her artistic brain-child, A Broad’s Way Productions. Lindsay is currently splitting her time as the managing director for Candy Kills, LLC in Brooklyn, New York and Libra Rising, s.r.o in Prague. Her partnership with filmmakers Gem Deger (Playdurizm, 2020) and Kaveh Daneshmand (Le Syndrome de l’Été sans Fin-Endless Summer Syndrome, 2023) is an exciting new chapter for her team’s reach in both the EU and US film markets.

Additional information:

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Associate Producer:
2023  Endless Summer Syndrome

Casting:
2014  The Lost Legion
2023  Endless Summer Syndrome

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.