Tom Ortenberg (b. 1960)

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Birthplace:
Briarcliff, New York, USA

Born:
August 8, 1960

Tom Ortenberg (born 8 August 1960) is an American businessman, producer, and studio executive. He is the CEO of Open Road Films, and Briarcliff Entertainment. Born and raised in Briarcliff Manor, New York, he graduated from Penn State University in 1982. It was while at Penn State that Tom recognized his passion for film, showing recent theatrical movies on campus to raise money for non-profit student organizations.  Tom began his film career with Columbia Pictures in 1985, and joined Hemdale Film Corporation in 1989, where he served as President of Distribution and Marketing before joining Lionsgate.  He spent over 12 years at Lionsgate Entertainment, opening their Los Angeles office in 1996 and serving as President of Theatrical Films until he left in 2009 to take the same position at The Weinstein Company.  In 2011, it was announced that he would be CEO of Open Road Films, a newly formed movie studio formerly owned by the theatre chains AMC Theatres and Regal Cinemas. Ortenberg left Open Road in 2017 after it was acquired by Tang Media Partners, but later rejoined the studio when it was revived in 2020. In 2018, he then started Briarcliff Entertainment, a distribution company.

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Executive Producer:
2001  The Wash
2002  Frailty
2002  Max
2003  Girl with a Pearl Earring
2003  Shattered Glass
2005  Cake
2005  Happy Endings
2006  The U.S. vs. John Lennon
2007  Happily N'Ever After
2008  The Eye
2008  W.
2012  Foodfight!
2015  Rock the Kasbah
2015  Spotlight
2016  Snowden
2016  Triple 9
2017  Marshall
2017  Sleepless
2018  A-X-L
2018  Show Dogs
2021  Copshop
2021  Separation
2021  The Marksman
2022  Blacklight
2022  Good Mourning
2022  Memory
2022  Studio 666
2023  Kandahar
2023  Sweetwater
2024  Asphalt City
????  Kent State
????  Sovereign
????  When I'm Ready

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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