Jeremy Wayne

Alias:
Jeremy Wayne Brooks

Jeremy Brooks is an Emmy-nominated VFX/Virtual production Producer with over 10 years of experience working across TV, film, music, promos, and experimental content. His diverse credits and background make him an amazing problem solver and an excellent Producer. Jeremy is charismatic, Articulate & incredibly hard-working.  With in-depth knowledge and experience working in VFX, ICVFX, VR, immersive formats, and AR applications. Highly experienced at working with senior management, creatives, and executives while budgeting, organizing, and producing high-end TV series, Blockbuster hits, Award-winning Indies, interactive experiences, VR walkthroughs, ad campaigns & more. A confident leader with hands-on experience setting up shoots and dealings with crews at the forefront of production. His knowledge is diverse, and his producing skills are unquestionable.  With the last 3 years of experience, Jeremy has become a phenomenal talent and collaborative problem solver for virtual production. His expansive technical knowledge and creative flare get's maximum results across film and TV, regardless of the budget. Starting his VP career as a freelance virtual production project manager, Jeremy has an incredible eye and understands the distinctions of great VP artistry. Jeremy has worked both the facility and client side and understands each arena's inner workings and politics. Jeremy is highly passionate about his work. His specialty lies in taking projects from start to finish.

Additional information:

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Visual Effects Coordinator:
2019  The Lion King

Associate Producer:
2006  Million Dollar Listing Los Angeles

Cinematography:
2006  Million Dollar Listing Los Angeles

Production Coordinator:
2006  Million Dollar Listing Los Angeles
2021  Arcane

Visual Effects Producer:
2006  Million Dollar Listing Los Angeles
2016  This Is Us
2021  Arcane

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.