Heather Bischoff

Gallery Unavailable

Alias:
Heather Hutsell

Birthplace:
Bainbridge Island, Washington, USA

Heather E. Hutsell spent her earliest years on Bainbridge Island, WA, before setting out to see the world just two months after turning 17.  She started writing at age 11, knowing after entering and winning awards through the Young Author’s program (and for the next 2 years following) that she wanted to be a published author (despite what it says in her Kindergarten project—The Book of Me).  Her first book, Awakening Alice—a sequel to Lewis Carroll’s Alice in Wonderland—was first published in the collaborative work Ghost on the Highway in 2006. She then went on to self-publish Awakening Alice along with its sequel A Ticket for Patience in an illustrated version, in 2007. She has since written twelve additional novels, two novellas, and five short story collections. Heather has also written two historical documentary series (Indian Wars: A Change in Worlds, and Emancipation Road [both from Lionheart Filmworks, LLC]), and a number of human interest articles for OneUnitedLancaster.com.  Future books already in progress include the next three books to the Steampunk mystery series The Case Files; The Pound (sequel to The Quad), and many, many others. Most recently, she has completed the micro-fiction collection, 366 Tales: Stories Year Round. Written in an effort to combat a crippling short-attention span, courtesy of the age of COVID-19, Heather took on the challenge of writing one 1-page story a day for a year. Genres run from heartwarming to thought-provoking, to just flat-out weird. If you, too, have a short attention span, this book is right up your alley!  Just released: a paranormal novella, Nevermore, Inc. and soon, a collection of Autumn and October influenced poems. She is currently working on her first memoir, Horse Legs and Other Lunchbox Mysteries.  On the process of creating:  “I write because I must. It is in my blood and my every breath. When I can no longer create these new worlds on the page; when I can no longer stir minds, hearts and souls into reflection and growth with my words, I will be done here.”

Additional information:

The Search Form


Creator:
2014  Emancipation Road

Writer:
2014  Emancipation Road

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.