Keaton Smith

Birthplace:
Louisiana, USA

Hailing from Louisiana, Keaton's debut feature, The Story of Christopher Jenkins premiered at SXSW as an expanded cinematic narrative "live" performance. His work is inspired by the avant-garde filmmakers such as Jordan Belson, Chris Marker, Stan Brakhage, Harry Smith, as well as silent-era filmmakers like Abel Gance and Carl Theodor Dreyer. Keaton's short film, Abbygail Was Here, won best drama and best actress at the Austin After Dark Film Festival. Boundary pushing narratives and formal experimentation is a consistent thread throughout his work. More recently, Keaton has delved into more dramatic and serial work. His docu-series, 16 Rachels, combines cinema verite and found footage to uncover common vulnerabilities among sixteen women scattered across the country who all share the same name.

Additional information:

The Search Form


Director:
2020  Abbygail was Here
2022  Engram
????  Three Point Dynamics

Editor:
2020  Abbygail was Here
2022  Engram
????  Three Point Dynamics

Producer:
2020  Abbygail was Here
2022  Engram
????  Three Point Dynamics

Sound Designer:
2020  Abbygail was Here
2022  Engram
????  Three Point Dynamics

Writer:
2020  Abbygail was Here
2022  Engram
????  Three Point Dynamics

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.