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Robin Antin (b. 1961)

Alias:
Robin
The Pussycat Dolls

Birthplace:
Los Angeles County, California, USA

Born:
July 6, 1961

Biography from TheMovieDB

Regarded as one the most highly respected choreographers in the business, Robin Antin has incorporated her innate passion for the art of dance and her deeply rooted drive into a long roster of top-quality projects. Robin's career in dance began when when she was just a child and her knowledge has paved the way for her to build a resume including some of the most innovative and impressive choreography the world has seen. Tapping into her undeniable skills have also been numerous music video producers, who have brought her on board for such versatile productions as Sting, Pink, and No Doubt, among many others. Robin's most recent television and feature film choreography experience includes several episodes of Friends (1994), one of which earned her an ACA nomination, and Charlie's Angels: Full Throttle (2003). Robin possesses a constant desire to seek out and define the new and revolutionary and she has become a true catalyst in the evolution of dance as both a connoisseur of classic art form, and a groundbreaking pioneer in the infinitely growing industry of performance.

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Film Performances

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Film Production

Choreographer:
2001  The Center of the World
2002  The Sweetest Thing
2003  Charlie's Angels: Full Throttle
2004  Monster Island

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TV Performances

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TV Production

Producer:
2007  Pussycat Dolls Present

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.