Jamie Alvey (b. 1993)

Birthplace:
Glasgow, Kentucky, USA

Born:
October 12, 1993

Much like Shirley Jackson before her Jamie Alvey delights in what she fears. Alvey’s start in the world of horror began much like many others; she loved scary stories as a child. With a horror fan mother and a cinephile father, she was raised on a steady diet of varied media and grew to be a voracious reader, neophyte writer, and beginner actress. Alvey’s child and teen years were insular due to intense bullying, and she further retreated into her books and her own short stories, which by her own admissions were poor Twilight rip offs. As the years wore on, her stories became more unique as she found her voice as a creative and started to blossom in her own right. She went on to attend Brescia University and graduated summa cum laude with a BA in English and theatre. After obtaining her BA she successfully gained her MA in English literature from Mercy College and subsequently began teaching at Brescia University as an English and writing professor.  Alvey finished the first draft of her feature screenplay Bystanders in 2017. Bystanders would become the greatest love of Alvey’s life and one of her most enduring and rewarding relationships with her work. Bystanders was greatly influenced by Alvey’s own experiences with PTSD and her rage concerning rape culture and toxic masculinity. Working diligently for years and continually improving the screenplay, Alvey’s dream of seeing her work come to life came true in 2023. Bystanders commenced filming in July 2023 with Alvey herself starring as Clare. Before and during production, Alvey took on many roles to aid the film including uncredited directing and artistic choices in order to see it come to bold fruition. All of the talents and skills she cultivated over the years were on full display as she gave her total commitment to the art and the work she loves most.  Post filming Bystanders, Alvey found herself battling depression and isolation, which led her to revisit a story idea she had in the spring while prepping for shooting. That idea turned into a proof of concept short titled “Your Husband Was a Good Man.” The short explores grief, depression, trauma, and death. After the screenplay found success on the film festival and competition circuit, Alvey debated filming it herself and taking on the roles of director and executive producer. This led Alvey to take the plunge and form her own production company, Love and Horror Productions and offer internship opportunities to college students wanting to learn screenwriting and filmmaking. Alvey, with the help of her students, friends, family, and a fantastic crew, shot “Your Husband Was a Good Man” in March of 2024. The short stars Deaton Gabbard as the titular husband opposite Alvey as Orla. Currently, Alvey is working toward attaining an MFA from Lindenwood University in creative writing with an emphasis in fiction. She plans on getting her doctorate…someday, likely in gothic studies. In addition to teaching and being taught, Alvey is constantly working on her writing and has recently debuted a short screenplay titled “Trad” and a feature length screenplay titled Housewife. In the meantime, she is developing a feature version of Your Husband Was a Good Man as well as other assorted terrors.

Additional information:

The Search Form


Director:
????  Your Husband Was a Good Man

Executive Producer:
????  Your Husband Was a Good Man

Writer:
????  Bystanders
????  Your Husband Was a Good Man

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.