A work in constant progress (and occasional regress).
Alias:
Dieter Ulrich Aselmann
Ulrich Aselmann
Birthplace:
Hamburg, Germany
Born:
April 21, 1957
Producer:
1996 Deathline
1997 Die Musterknaben
1999 Die Musterknaben 2
2002 Vaya con Dios
2003 Die Musterknaben 3 - 1000 und eine Nacht
2004 Mein Weg zu dir heißt Liebe
2007 Schöne Aussicht
2008 Alte Freunde
2008 Der Hochzeitswalzer
2008 Meine Mutter, mein Bruder und ich!
2009 Gletscherblut
2010 An Intern For Life
2010 Zimmer mit Tante
2011 Promising the Moon
2013 Unheil in den Bergen
2015 Der Himmel zwischen den Welten
2015 Zweimal lebenslänglich
2016 Ein Mann unter Verdacht
2017 Godless Youth
2017 Jürgen - Heute wird gelebt
2019 Die Bestatterin – Der Tod zahlt alle Schulden
2019 Irgendwas bleibt immer
2021 Die Bestatterin - Die unbekannte Tote
2023 Die Bestatterin - Zweieinhalb Tote
???? Die Bestatterin - Tote leben länger
Production Controller:
2022 Die Glücksspieler
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.