Matt Poynter

Gallery Unavailable

Alias:
Matthew Poynter

Matthew Poynter ACO SOC is a British camera and Steadicam operator whose career spans more than thirty years in the camera department, working in both feature films and high-end television drama. He began his professional trajectory as a documentary camera assistant before transitioning to scripted drama, gradually advancing from trainee to camera operator.  Over the years, Poynter has developed a strong reputation for his proficiency with wheels, dollies, cranes, handheld camera work, and Steadicam systems—he is a trained Steadicam operator under the guidance of Paul Edwards ACO. He is a member of the Association of Camera Operators (ACO), the Society of Operating Cameramen (SOC), and the Guild of British Camera Technicians (GBCT).  He shared a nomination for the 2020 GBCT Operators Award in the Television Drama category for his work on that series alongside James Layton.  In addition to his on-set work, Poynter has mentored and taught at institutions such as the National Film and Television School (NFTS) and worked with initiatives such as Women Behind the Camera to help foster new talent.

Additional information:

The Search Form


"A" Camera Operator:
2015  Indian Summers
2015  Jekyll and Hyde
2017  Living the Dream
2018  A Discovery of Witches
2018  Deep State
2019  His Dark Materials
2019  The Witcher
2021  Shadow and Bone
2022  The Sandman
2022  Willow
2024  My Lady Jane

"B" Camera Operator:
2011  DCI Banks
2013  Da Vinci's Demons
2015  Galavant
2015  Indian Summers
2015  Jekyll and Hyde
2017  Living the Dream
2017  The White Princess
2017  Will
2018  A Discovery of Witches
2018  Deep State
2019  Carnival Row
2019  His Dark Materials
2019  The Witcher
2021  Shadow and Bone
2022  The Sandman
2022  Willow
2023  Citadel
2024  My Lady Jane

"C" Camera Operator:
2011  DCI Banks
2013  Da Vinci's Demons
2015  Fortitude
2015  Galavant
2015  Indian Summers
2015  Jekyll and Hyde
2017  Living the Dream
2017  The White Princess
2017  Will
2018  A Discovery of Witches
2018  Deep State
2019  Carnival Row
2019  His Dark Materials
2019  The Witcher
2021  Shadow and Bone
2022  The Sandman
2022  Willow
2023  Citadel
2024  My Lady Jane

Additional Camera:
2005  Doctor Who
2011  DCI Banks
2013  Da Vinci's Demons
2015  Fortitude
2015  Galavant
2015  Indian Summers
2015  Jekyll and Hyde
2017  Living the Dream
2017  The White Princess
2017  Will
2018  A Discovery of Witches
2018  Deep State
2019  Carnival Row
2019  His Dark Materials
2019  The Witcher
2021  Shadow and Bone
2022  The Sandman
2022  Willow
2023  Citadel
2024  My Lady Jane

Camera Operator:
2005  Doctor Who
2011  DCI Banks
2013  Da Vinci's Demons
2015  Fortitude
2015  Galavant
2015  Indian Summers
2015  Jekyll and Hyde
2016  Agatha Raisin
2017  Living the Dream
2017  The White Princess
2017  Will
2018  A Discovery of Witches
2018  Deep State
2019  Carnival Row
2019  His Dark Materials
2019  The Witcher
2021  Shadow and Bone
2022  The Sandman
2022  Willow
2023  Citadel
2024  My Lady Jane

Steadicam Operator:
2005  Doctor Who
2011  DCI Banks
2013  Da Vinci's Demons
2015  Fortitude
2015  Galavant
2015  Indian Summers
2015  Jekyll and Hyde
2016  Agatha Raisin
2017  Living the Dream
2017  The White Princess
2017  Will
2018  A Discovery of Witches
2018  Deep State
2019  Carnival Row
2019  His Dark Materials
2019  The Witcher
2021  Shadow and Bone
2022  The Sandman
2022  Willow
2023  Citadel
2024  My Lady Jane

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.