Brian Alan DeLaney (b. 1983)

Alias:
Brian Delaney

Birthplace:
Texas City, Texas, United States

Born:
April 11, 1983

Brian Alan DeLaney is an American composer living in Houston, Texas. Specializing in Modern Classical music, he brings his knowledge of contemporary theory and techniques to pieces written for both the concert hall and film.  From an early age he has been obsessed with movies, horror in particular. He would stay up late with his mother watching classics like Nightmare on Elm Street, Deepstar Six, and Night of the Lepus. The music of Bernard Herrmann's Psycho and Jerry Goldsmith's Planet of the Apes became entrenched in his head.  Joining together with a few friends in high school, Brian took his first steps toward a career in music, starting a punk rock band. The band became a catalyst for Brian's love of music. He started become obsessed with music theory, taking Schoenberg and the like in the back of the tour van. Eventually Brian attended college with a focus on composition and music theory. It is here where he started to develop his own personal style. Pieces often employ techniques such as synthetic scales, polymeter, irrational and irregular meters, and other colors that cement his work firmly in the modern era.  When writing for film, Brian uses the idea of leitmotiv, producing a theme for significant people, places, or items and having those themes interplay with one another. Each theme would be representative of the characters traits or, in the case of a place or item, the feeling it imparts upon others. These themes are then varied and mutated to provide a suitable backdrop for the development of the characters. Brian firmly believes that the score is another character in film.

Additional information:

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Music:
2020  Till Death

Original Music Composer:
2020  Next Door
2020  Till Death

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.