A work in constant progress (and occasional regress).
Alias:
Joachim Alexander Ottokar Meibes
John Erickson
Birthplace:
Düsseldorf, Germany
Born:
September 23, 1926
Died:
May 3, 2020
John Ericson (sometimes Erickson; born Joachim Alexander Ottokar Meibes; September 25, 1926 - May 3, 2020) was a German-American actor and film and television star. He trained at the American Academy of Dramatic Arts in New York, played the lead role in Stalag 17 by Donald Bevan and Edmund Trzcinski on Broadway (1951). He went on to make a number of films for MGM in quick succession in the 1950s. His first appearance was in Teresa (1951), directed by Fred Zinnemann, which also launched the film careers of Pier Angeli and Rod Steiger. He then went on to appear in a series of films which included Rhapsody, The Student Prince, Green Fire (all in 1954), and Bad Day at Black Rock (1955). His career continued, mostly on television, for the next thirty years. He appeared in the lead role in "The Peter Bartley Story" of CBS's fantasy drama, The Millionaire. Child actor Johnny Washbrook appeared in the same episode in a flashback segment of Ericson as a boy. He appeared with Dorothy Malone in the January 1, 1956, episode entitled "Mutiny" of CBS's Appointment with Adventure. He guest-starred in 1958 in the NBC western series The Restless Gun, starring John Payne. He also guest-starred in the 1961 ABC crime drama, Target: The Corruptors! In 1965-1966, he co-starred with Anne Francis in the detective series Honey West. He occasionally appeared in such films as Pretty Boy Floyd (1960), 7 Faces of Dr. Lao (1964), and Bedknobs and Broomsticks (1971). He was married twice and had two children from his first marriage to Milly Coury. Description above from the Wikipedia article John Ericson, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.