Michael P. Rekola (b. 1985)

Alias:
Rekola

Born:
December 30, 1985

Michael P. Rekola is a bi-coastal independent film executive, producer, and director.  Born on December 30, 1985, he started his film career as a producer for the U.S. House of Representatives, national news organizations, and non-profits, with his industrials garnering internationally earned media. He later started the Capitol Hill Film Festival and transitioned into an active investor in many films like THIS LAND, MY DIVORCE PARTY, and THE BETA TEST, which screened at festivals such as the Berlin International Film Festival and the Tribeca Film Festival.  Michael is currently executive producing Chris Heck's THE SAVAGE STATE and producing Daniel Lafrentz's THE MEET CUTE MURDERS. He is also directing his first feature BURYING DORIS, penned by the 2022 Austin Film Festival's Dramatic Screenwriter Award Winner Nick Gambino. His proof of concept short film bearing the same name is currently on the festival circuit.  “A rising tide lifts all ships,” is a common phrase you’ll hear Michael repeating. He splits his time between Washington, DC, his 5th generation family farm in Connecticut, and Los Angeles with his wife Kaitlin, their daughter Emmi, son Wyatt, and undomesticated yet devoted canine of thirteen years— Monty. Michael supports Premier League side, Manchester United.

Additional information:

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Creator:
????  Burying Doris

Director:
????  Burying Doris

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.