A work in constant progress (and occasional regress).
Alias:
J. Todd Frank
Todd Frank
Birthplace:
West Branch, Michigan, USA
Born:
August 25, 2001
Jonathan Todd Frank is an American filmmaker known for his work as a director, writer, cinematographer, editor, and producer. He has built a reputation in cinema for his hands-on approach to filmmaking, often overseeing multiple aspects of production to bring his creative vision to life. Frank made his mark with several short films, including Peppers (2022), for which he served as director, cinematographer, editor, and writer. He followed this with The Neverending Thought (2022), Mazetown (2023), and The Eleventh Hour (2024), which showcased his versatility in storytelling in a variety of tones and unique style. Known for his immersive vision and dedication to cinematic craftsmanship, Frank has gained recognition in the film community. His works often explore deep themes with a distinct visual language, solidifying his status as a filmmaker to watch.
Camera Operator:
2022 The Neverending Thought
Color Grading:
2022 The Neverending Thought
Director:
2022 The Neverending Thought
2023 Mazetown
2024 Into the Void
2024 The Eleventh Hour
2025 Lost Together
Director of Photography:
2022 The Neverending Thought
2023 Mazetown
2024 Into the Void
2024 The Eleventh Hour
2025 Lost Together
Editor:
2022 The Neverending Thought
2023 Mazetown
2024 Into the Void
2024 The Eleventh Hour
2025 Lost Together
Producer:
2022 The Neverending Thought
2023 Mazetown
2024 Into the Void
2024 The Eleventh Hour
2025 Lost Together
Writer:
2022 The Neverending Thought
2023 Mazetown
2024 Into the Void
2024 The Eleventh Hour
2025 Lost Together
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.