Fernanda Faya

Birthplace:
São Paulo, São Paulo, Brazil

Fernanda Faya is a filmmaker, director of photography, and educator, born and raised in São Paulo and based in Queens, New York. Her work emphasizes female perspectives and centers on stories on the brink of fading into obscurity. She graduated in Cinema, specializing in cinematography, at Faculdade Armando Álvares Penteado (FAAP) in 2008. She earned her Master's in Film from the Graduate Program in Integrated Media Arts at Hunter College, New York. Her first feature film, "NEIRUD" (Temporal Filmes, Sancho Filmes), had its World Premiere at Olhar de Cinema, Curitiba Int’l Film Festival, receiving Best Film and Best Editing awards. Her first short film, "ONE FOR THE ROAD" (Temporal Filmes, 2017), premiered at the DOC NYC festival and screened at various festivals worldwide, including the Buenos Aires Int’l Documentary Festival (FIDBA), Encuentros del Otro Cine Festival Int’l Documentary Festival (EDOC), and the Rhode Island Int’l Film Festival. Her Master’s thesis film, "ALONE TOGETHER" (in post-production), provides an intimate glimpse into the lives of elderly immigrants residing in a low-income home in Queens, New York, and earned her the "Excellence in Film" award from the Hunter College Advisory Board. She is currently writing her first fiction feature film script, "BETE," which was awarded the SpCine developing fund in 2022.  Fernanda is a professor of Film at Brooklyn College - CUNY, in New York and a member of the Brazilian Collective of Female and Transgender Cinematographers. She has also taught courses in Cinematography in the graduate program at the Feirstein School of Cinema in New York.

Additional information:

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Director:
2023  Neirud

Director of Photography:
2009  Ants
2023  Neirud

Producer:
2009  Ants
2023  Neirud

Screenplay:
2009  Ants
2023  Neirud

About the Movie Section

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Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.