A work in constant progress (and occasional regress).
Born:
January 30, 1988
Visual effects artists based out of Norfolk, NE, with over 10 years combined experience between roto, paint, and compositing.
Digital Compositor:
2010 Harry Potter and the Deathly Hallows: Part 1
2019 War Paint
2022 A Chance Encounter
Rotoscoping Artist:
2010 Harry Potter and the Deathly Hallows: Part 1
2011 Captain America: The First Avenger
2011 Harry Potter and the Deathly Hallows: Part 2
2011 Thor
2012 The Avengers
2013 Iron Man 3
2019 War Paint
2022 A Chance Encounter
Steadicam Operator:
2010 Harry Potter and the Deathly Hallows: Part 1
2011 Captain America: The First Avenger
2011 Harry Potter and the Deathly Hallows: Part 2
2011 Thor
2012 The Avengers
2013 Iron Man 3
2013 One Way
2019 War Paint
2022 A Chance Encounter
VFX Artist:
2010 Harry Potter and the Deathly Hallows: Part 1
2011 Captain America: The First Avenger
2011 Harry Potter and the Deathly Hallows: Part 2
2011 Thor
2012 The Avengers
2013 Iron Man 3
2013 One Way
2019 War Paint
2022 A Chance Encounter
???? The Fetch
VFX Supervisor:
2010 Harry Potter and the Deathly Hallows: Part 1
2011 Captain America: The First Avenger
2011 Harry Potter and the Deathly Hallows: Part 2
2011 Thor
2012 The Avengers
2013 Iron Man 3
2013 One Way
2016 Memoir
2019 War Paint
2022 A Chance Encounter
???? The Fetch
Visual Effects:
2010 Harry Potter and the Deathly Hallows: Part 1
2011 Captain America: The First Avenger
2011 Harry Potter and the Deathly Hallows: Part 2
2011 Thor
2012 The Avengers
2013 Iron Man 3
2013 One Way
2016 Memoir
2019 War Paint
2022 A Chance Encounter
2022 Addie and the Lightning Bugs
???? The Fetch
Compositing Lead:
2022 1923
Compositing Supervisor:
2022 1923
Digital Compositor:
2022 1923
2023 Mrs. Davis
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.