Misrah Fatima Nizami (b. 2001)

Alias:
Misrah

Birthplace:
Karachi, Pakistan

Born:
October 18, 2001

Misrah Fatima Nizami is a Pakistani indie filmmaker with a degree in Communication Design: Media from the Indus Valley School of Art and Architecture. She currently works at SOC Films, led by two-time Academy Award winner Sharmeen Obaid Chinoy, where she collaborates with BAFTA and Emmy-nominated producers. She has worked on an investigative docu-series called, “The Facets Of Hate Speech.” as a Post Producer and a Research Associate. She is currently working on developing "Pakistan's Music Vault", a comprehensive digital archive to preserve Pakistan's musical heritage and engage global audiences. In collaboration with Google Arts & Culture and the British Council Pakistan.  Her passion for filmmaking has led her to develop a versatile skill set that includes direction, scriptwriting, storytelling, production, creative direction, editing, and cinematography, covering both still and moving images. Misrah has directed, written, produced, and edited several films that have earned recognition at international film festivals. Her most notable work is her 2023 thesis film, "CINERAMA."  Actively involved in writing and researching independent film projects, she also owns an independent production company, Mehfil Films, which she plans to use for future film endeavors. She continues to explore cinema in all its forms, focusing on projects that are stylish, unique, and heartfelt.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.