A work in constant progress (and occasional regress).
Alias:
Mackenzie Parker
Birthplace:
Greenville, South Carolina, USA
Born:
August 29, 1990
Kenzi Parker has been part of the VFX community for nearly ten years with experience on episodic, feature, and commercials. She has worked with clients such as Google, Netflix, and Whatsapp; as well as worked on projects like Hacking Google, In the Heights, and Cowboy Bebop. During her career, she has lived and worked in New York, LA, and Vancouver. She has served on the Board of Managers for VES, spoken at NAB Show, and has mentored students coming from New York's School of Visual Arts
Compositor:
2021 The Humans
2021 The Many Saints of Newark
Digital Compositor:
2016 Kitty
2016 Swiss Army Man
2017 mother!
2019 Five Feet Apart
2019 Motherless Brooklyn
2021 The Humans
2021 The Many Saints of Newark
VFX Artist:
2016 Kitty
2016 Swiss Army Man
2016 The Purge: Election Year
2017 mother!
2019 Five Feet Apart
2019 Motherless Brooklyn
2021 The Humans
2021 The Many Saints of Newark
Compositor:
2018 POSE
2021 Colin in Black and White
2021 Cowboy Bebop
2021 Gossip Girl
2023 Kaleidoscope
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.