Berenice Moreno (b. 2001)

Alias:
Bere
Moreno

Birthplace:
Mexico City, México

Born:
September 20, 2001

Angélica Berenice Sánchez Moreno is a mexican film student at the National School of Cinematographic Arts (ENAC) of the National Autonomous University of Mexico (UNAM). Before entering to the Film School, Berenice took different cinema courses at the ENAC and other different institutions. Also she participated in different shortfilms for The 48 Hours Film Project, and many other competitions. In 2021, she entered to the Film School where more than anything, she has worked as a Director of Photography for the shortfilm "Empty Shelves", and more recently for two documentaries in production. Actually, she wants to specialize in Film Direction, so she's preparing a screenplay for her first shortfilm with the ENAC.

Additional information:

The Search Form


Colorist:
2023  Empty Shelves
2024  Genderless
2024  The Noise of Time

Director of Photography:
2023  Empty Shelves
2024  Genderless
2024  The Noise of Time

Lighting Production Assistant:
2023  Drowning
2023  Empty Shelves
2024  Genderless
2024  The Noise of Time

Location Manager:
2023  Drowning
2023  Empty Shelves
2024  Genderless
2024  The Noise of Time

Producer:
2023  Drowning
2023  Empty Shelves
2023  Self-Complacency
2023  Wanted
2024  Genderless
2024  The Noise of Time

Production Design:
2023  Drowning
2023  Empty Shelves
2023  Self-Complacency
2023  Through the Window
2023  Wanted
2024  Genderless
2024  The Noise of Time

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.