A work in constant progress (and occasional regress).
Birthplace:
Geneva, Switzerland
Born:
August 30, 1979
Albin Sallansonnet was born on August 30, 1979, in Geneva, Switzerland. He is an independent film producer who has made a significant impact across several genres, including action, martial arts, fantasy, adventure, and horror. His work is often driven by a deep sense of nostalgia, with a focus on producing films inspired by classic old school cinema from the 1960s, 70s, 80s, and 90s. In the action and martial arts genre, Albin Sallansonnet has produced notable films such as The Last Kumite, Black Creek, and Commando Ninja 2: Invasion America. These films are known for their dynamic fight scenes and retro-style action sequences. In the fantasy adventure genre, Albin Sallansonnet has been involved, among others, in the production of Mythica: Stormbound, The Slave and the Sorcerer, and Devil's Knight. These projects are characterized by their rich mythical narratives, combining epic battles with elements of magic and heroism. Albin Sallansonnet has also made a mark in the horror genre, particularly gothic horror, with the upcoming Amicus production, In the Grip of Terror. This film aims to capture the eerie, atmospheric style reminiscent of classic horror cinema. Throughout his career, Albin Sallansonnet has established himself as a versatile and passionate producer, committed to producing films that not only honor the legacy of classic old school cinema but also engage and entertain contemporary audiences.
Associate Producer:
2024 Black Creek
2024 Mythica: Stormbound
2024 Shelby Oaks
2024 The Slave and the Sorcerer
???? A Hard Place
???? Deathstalker
???? Dragon's Revenge
???? Echo 8 Beyond
???? Five by Five
???? Spoiling You
???? Turn Back
Co-Producer:
2024 Black Creek
2024 Mythica: Stormbound
2024 Shelby Oaks
2024 The Slave and the Sorcerer
???? A Hard Place
???? Commando Ninja 2: Invasion America
???? Deathstalker
???? Dragon's Revenge
???? Echo 8 Beyond
???? Five by Five
???? Spoiling You
???? The Reign of Queen Ginnarra
???? Turn Back
Executive Producer:
2024 Arena Wars
2024 Black Creek
2024 Devil's Knight
2024 Mythica: Stormbound
2024 Shelby Oaks
2024 The Last Kumite
2024 The Slave and the Sorcerer
???? A Hard Place
???? Alien Horde
???? Alien Storm
???? Bikers vs Werewolves
???? Commando Ninja 2: Invasion America
???? Cursed Waters
???? Deathstalker
???? Dragon's Revenge
???? Echo 8 Beyond
???? Five by Five
???? In the Grip of Terror
???? Spoiling You
???? The Reign of Queen Ginnarra
???? Turn Back
Producer:
2024 Arena Wars
2024 Black Creek
2024 Devil's Knight
2024 Mythica: Stormbound
2024 Shelby Oaks
2024 The Last Kumite
2024 The Slave and the Sorcerer
???? A Hard Place
???? Alien Horde
???? Alien Storm
???? Bikers vs Werewolves
???? Black Chariot
???? Commando Ninja 2: Invasion America
???? Cursed Waters
???? Deathstalker
???? Dragon's Revenge
???? Echo 8 Beyond
???? Five by Five
???? In the Grip of Terror
???? Spoiling You
???? The Reign of Queen Ginnarra
???? Turn Back
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.