Hubertus Rath

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ADR Mixer:
1997  Smilla's Sense of Snow

Foley Mixer:
1997  Smilla's Sense of Snow

Mixing Engineer:
1997  Smilla's Sense of Snow
2018  Leaning Into the Wind: Andy Goldsworthy

Sound:
1997  Smilla's Sense of Snow
2013  Wahrer Anfang
2018  Leaning Into the Wind: Andy Goldsworthy

Sound Mix Technician:
1997  Smilla's Sense of Snow
2013  Wahrer Anfang
2017  Tödliche Geheimnisse – Jagd in Kapstadt
2018  Leaning Into the Wind: Andy Goldsworthy

Sound Mixer:
1997  Smilla's Sense of Snow
1999  My Best Fiend
2000  Hop, Skip & Jump
2010  Eine Sennerin zum Verlieben
2013  Wahrer Anfang
2016  Deadly Leaks
2017  Tödliche Geheimnisse – Jagd in Kapstadt
2018  Leaning Into the Wind: Andy Goldsworthy
2023  Till the End of the Night

Sound Re-Recording Mixer:
1997  Ballermann 6
1997  Geisterstunde - Fahrstuhl ins Jenseits
1997  Smilla's Sense of Snow
1999  My Best Fiend
2000  Hop, Skip & Jump
2006  The Lives of Others
2009  Vision – From the Life of Hildegard von Bingen
2010  Eine Sennerin zum Verlieben
2011  Von Mäusen und Lügen
2013  The Physician
2013  Wahrer Anfang
2014  The Chosen Ones
2015  Fassbinder
2016  Deadly Leaks
2016  Im Nirgendwo
2017  Tödliche Geheimnisse – Jagd in Kapstadt
2018  Leaning Into the Wind: Andy Goldsworthy
2019  Lara
2021  Ruhe! Hier stirbt Lothar
2022  Und dann steht einer auf und öffnet das Fenster
2023  Till the End of the Night

Sound mixer:
1997  Ballermann 6
1997  Geisterstunde - Fahrstuhl ins Jenseits
1997  Smilla's Sense of Snow
1999  My Best Fiend
2000  Hop, Skip & Jump
2006  The Lives of Others
2007  Hotel Very Welcome
2009  Vision – From the Life of Hildegard von Bingen
2010  Eine Sennerin zum Verlieben
2011  Von Mäusen und Lügen
2013  The Physician
2013  Wahrer Anfang
2014  The Chosen Ones
2015  Fassbinder
2016  Deadly Leaks
2016  Im Nirgendwo
2017  Tödliche Geheimnisse – Jagd in Kapstadt
2018  Leaning Into the Wind: Andy Goldsworthy
2019  Lara
2021  Ruhe! Hier stirbt Lothar
2022  Und dann steht einer auf und öffnet das Fenster
2023  Till the End of the Night

Sound Mixer:
2015  Line of Separation

Sound Re-Recording Mixer:
2015  Line of Separation
2018  Perfume

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.