A work in constant progress (and occasional regress).
Alias:
Arch Dalzell
Arch R. Dalzell
Archie Dalzell
Birthplace:
Youngstown, Ohio, USA
Born:
September 13, 1911
Died:
July 26, 1992
Camera Operator:
1949 Red Desert
1949 Ringside
1950 Gunfire
1950 I Shot Billy the Kid
1950 Motor Patrol
Cinematography:
1949 Red Desert
1949 Ringside
1950 Gunfire
1950 I Shot Billy the Kid
1950 Motor Patrol
1960 The Hypnotic Eye
1965 The Girls on the Beach
1971 In Broad Daylight
1980 Casino
Director of Photography:
1949 Red Desert
1949 Ringside
1950 Gunfire
1950 I Shot Billy the Kid
1950 Motor Patrol
1960 The Hypnotic Eye
1960 The Little Shop of Horrors
1962 Tower of London
1964 Apache Rifles
1965 Mutiny in Outer Space
1965 The Girls on the Beach
1966 Women of the Prehistoric Planet
1967 The Trip
1968 The Mini-Skirt Mob
1969 Wake Me When the War Is Over
1970 Run, Simon, Run
1970 The Old Man Who Cried Wolf
1971 A Taste of Evil
1971 Congratulations, It's a Boy!
1971 Five Desperate Women
1971 If Tomorrow Comes
1971 In Broad Daylight
1971 Mongo's Back in Town
1971 The Last Child
1971 The Reluctant Heroes
1972 The Rookies
1972 Two for the Money
1973 Hijack!
1974 Planet Earth
1974 Twice in a Lifetime
1975 Carter's Army
1975 Murder on Flight 502
1975 Starsky & Hutch
1975 The Legend of Valentino
1976 One of My Wives Is Missing
1976 The Boy in the Plastic Bubble
1976 The Great Houdinis
1977 Fantasy Island
1977 The New Love Boat
1977 The San Pedro Bums
1978 Cruise Into Terror
1978 Return to Fantasy Island
1979 Beach Patrol
1979 Ebony, Ivory and Jade
1979 Ike
1979 The Return of Mod Squad
1980 Casino
1980 Murder Can Hurt You!
1981 Sizzle
1982 Massarati and the Brain
Director of Photography:
1960 The Westerner
1977 The Love Boat
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.