A work in constant progress (and occasional regress).
Died:
August 25, 2025
Camera Operator:
2023 Moqoit
Director:
1969 Puerto Piojo
1994 Escuelas bajo agua
1994 López Claro, una vida para el arte
1995 Lázaro Blanco, una leyenda de 100 años
2002 Un nuevo día
2004 Santa Fe La Vieja
2009 López Claro, trabajo y esencia
2023 Moqoit
Editor:
1969 Puerto Piojo
1994 Escuelas bajo agua
1994 López Claro, una vida para el arte
1995 Lázaro Blanco, una leyenda de 100 años
2002 Un nuevo día
2004 Santa Fe La Vieja
2009 López Claro, trabajo y esencia
2023 Moqoit
Executive Producer:
1969 Puerto Piojo
1994 Escuelas bajo agua
1994 López Claro, una vida para el arte
1995 Lázaro Blanco, una leyenda de 100 años
2002 Un nuevo día
2004 Santa Fe La Vieja
2009 López Claro, trabajo y esencia
2023 Moqoit
Producer:
1969 Puerto Piojo
1994 Escuelas bajo agua
1994 López Claro, una vida para el arte
1995 Lázaro Blanco, una leyenda de 100 años
2002 Un nuevo día
2004 Santa Fe La Vieja
2009 López Claro, trabajo y esencia
2023 Moqoit
Thanks:
1969 Puerto Piojo
1994 Escuelas bajo agua
1994 López Claro, una vida para el arte
1995 Lázaro Blanco, una leyenda de 100 años
2002 Un nuevo día
2004 Santa Fe La Vieja
2009 El peso
2009 López Claro, trabajo y esencia
2017 65/75 Comarca Beat
2019 Semilla Documental, La primer Escuela de Cine de Latinoamérica
2023 Moqoit
Writer:
1969 Puerto Piojo
1994 Escuelas bajo agua
1994 López Claro, una vida para el arte
1995 Lázaro Blanco, una leyenda de 100 años
2002 Un nuevo día
2004 Santa Fe La Vieja
2009 El peso
2009 López Claro, trabajo y esencia
2017 65/75 Comarca Beat
2019 Semilla Documental, La primer Escuela de Cine de Latinoamérica
2023 Moqoit
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.