Kit Yan

Birthplace:
Honolulu, Hawaii, USA

Kit Yan is a NYC based writer from the Kingdom of Hawaii. Kit is a recipient of the 2023 Helen Merrill Award, 2022 ASCAP Harold Adamson Lyric Award, 2021 Jonathan Larson Grant , 2021 Kleban Prize, and the 2019 Vivace Award. Fellowships and residencies include Sundance, MacDowell, Hermitage, The Dramatists Guild Foundation, The Playwright’s Center, and Lincoln Center. Their work has been produced at Lincoln Center, The American Repertory Theater, East West Players, and The Smithsonian among many others. Kit is a proud member of the WGAE and a graduate of the 2023 WGAE Staff Writer Bootcamp. Kit has collaborated with Disney, Mighty Oak, Cookies and Milk, and their short films written with director, Jess X Snow, have screened at over 30 film festivals including BFI London FIlm Festival, Outfest, BlackStar, Ann Arbor, LA Asian Pacific Film Festival, Toronto Reel Asian (National Film Board of Canada Best Short Award), and Philly Asian Film Festival (Best Experimental Short Award), and been supported with grants from the Smithsonian, the Alfred P. Sloan Foundation, and the Sundance Institute. Kit is currently developing work for tv and film with their writing partner Melissa Li.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.