Jon Gutierrez

He first discovered his passion for the arts at 8 years old whilst living in Colombia, exploring fine art and drawing. His attention moved towards instruments: The Piano and the Flute. It was the energy and emotions able to transcend through music that captivated him, even going on to perform professionally before returning to London and taking an interest in performance.  His favourite piece to play was Nino Rota's composition for The Godfather (1972). Not knowing that he'd later discover the magnificent work of Francis Ford Coppola, Al Pacino, Robert DeNiro, and Marlon Brando to name a few of those he looks up to.  Jonathan took an interest in acting at secondary school, taught to improvise and devise pieces based off of plays and films explored in class he was encouraged by his drama teacher to keep on pursuing his passion. In 2012, he began training at Instinctual Acting with New York acting coach Michael Duvall learning: improvisation, character/script analysis and acting for the camera.  Shortly, he was cast as 'Siddie' in Jonathan Harvey's: 'Tomorrow I'll be happy' (directed by Anna Jordan). It was selected by The National Theatre for Connections 2013, this experience only added to his burning desire for performance and storytelling. After positive reviews from Artistic Director of The National Theatre at the time, Nicholas Hytner. He was asked to be part of The Young Studio's upcoming project that summer.  He continued training with part-time drama schools: Identity School of Acting and RAaW London. In this time, he's been trained in combat, improvisation, voice, and accents (including American, Spanish and Middle Eastern) for stage and film.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.