A work in constant progress (and occasional regress).
Alias:
Luis Octavio Llerenas Maciel
Birthplace:
Colima, Colima, Mexico
Born:
November 20, 2000
Originally from Colima, Colima, Mexico. Graduated in Audiovisual Production and Mezcal Jury in the 36th edition of the Guadalajara International Film Festival and Angel RP of Jury in the 37th edition. Dedicated and passionate about cinema he has participated and directed different projects among which the documentaries "Que nada me apague"(Luis Llerenas,2022), "En la Estancia"(Luis Llerenas,2021), which was part of the "Reto Docs ZANATE". The videoclips "Navegar"(Luis Llerenas,2022) and "Serendipia Negativa" (Luis Llerenas,2022), by the Colombian band "Los Mocafeller". Director of photography in the videoclip "Paper"(2021), Production designer and cameraman in the "Festival Internacional de Danza de Jalisco XXVI 2021" on behalf of the Secretaría de Cultura de Jalisco. 2021, assistant director in the short film Mar (Denisse Aguilar,2022), photography assistant in the documentary short film El Expediente, winner in the Volcano Festival (Alberto Anguiano, 2019), "Recetario Visual" (Alejandra Cacho, 2019), "El precio de los Dulces" (Esperanza Guadalupe,2021) and in the music video "Aviéntate" of the group "HÓMZ" (Omar Deneb Juárez, 2019). He is currently post producing his first fiction short film "La Marcha de los Perdidos".
Assistant Director:
2023 MAR
Director:
2022 let nothing turn me off
2023 Esto es lucha
2023 MAR
???? March of the Lost
Line Producer:
2022 let nothing turn me off
2023 Esto es lucha
2023 MAR
???? March of the Lost
Producer:
2022 let nothing turn me off
2023 Esto es lucha
2023 MAR
???? March of the Lost
Screenplay:
2022 let nothing turn me off
2023 Esto es lucha
2023 MAR
???? March of the Lost
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.