A work in constant progress (and occasional regress).
Editor:
2021 Old Bigwigs
2021 Olympians 2.0
2021 Patriotic film FOREVER
2023 The Rage
Editorial Services:
2020 Love
2020 The Last Frontier
2021 Old Bigwigs
2021 Olympians 2.0
2021 Patriotic film FOREVER
2021 Saving Legacy
2023 The Empresses
2023 The Rage
Post-Production Manager:
2020 Love
2020 The Last Frontier
2021 Old Bigwigs
2021 Olympians 2.0
2021 Patriotic film FOREVER
2021 Saving Legacy
2023 The Empresses
2023 The Rage
Set Photographer:
2020 Love
2020 The Last Frontier
2021 Old Bigwigs
2021 Olympians 2.0
2021 Patriotic film FOREVER
2021 Saving Legacy
2022 By The White Sea
2023 The Empresses
2023 The Rage
Thanks:
2013 The Phantom Tollbooth: Beyond Expectations
2015 Back in Time
2015 Very Semi-Serious
2017 Graphic Means: A History of Graphic Design Production
2018 A Thousand Thoughts
2020 Love
2020 The Last Frontier
2021 Old Bigwigs
2021 Olympians 2.0
2021 Patriotic film FOREVER
2021 Saving Legacy
2022 By The White Sea
2023 The Empresses
2023 The Rage
Translator:
2013 The Phantom Tollbooth: Beyond Expectations
2015 Back in Time
2015 Very Semi-Serious
2017 Graphic Means: A History of Graphic Design Production
2018 A Thousand Thoughts
2020 Love
2020 The Last Frontier
2021 Old Bigwigs
2021 Olympians 2.0
2021 Patriotic film FOREVER
2021 Saving Legacy
2022 By The White Sea
2023 The Empresses
2023 The Rage
Editor:
2022 Home Base
2024 Crime & Punishment
Editorial Services:
2022 Home Base
2022 Patient Zero
2022 The Monastery
2023 In Short, the Plan is as Follows
2024 Crime & Punishment
Production Intern:
2017 The Breaks
2022 Home Base
2022 Patient Zero
2022 The Monastery
2023 In Short, the Plan is as Follows
2024 Crime & Punishment
Set Production Assistant:
2013 Грач
2017 The Breaks
2022 Home Base
2022 Patient Zero
2022 The Monastery
2023 In Short, the Plan is as Follows
2024 Crime & Punishment
Thanks:
2013 Грач
2017 The Breaks
2022 Home Base
2022 Mystery Science Theater 3000
2022 Patient Zero
2022 The Monastery
2023 In Short, the Plan is as Follows
2024 Crime & Punishment
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.