A work in constant progress (and occasional regress).
Alias:
نادين أسمر
نادين الأسمر
Birthplace:
Lebanon
Born:
November 29, 1994
Nadine is a Lebanese filmmaker. She holds a BA in Cinema and TV from the Lebanese University - Fine Arts Institute II and an MA in Cinema and Audiovisual from Paris 1 University Panthéon-Sorbonne. She’s currently pursuing her PhD thesis in Film Studies at the University of Western Brittany in France. She wrote and directed two award-winning short films, The Blind of the Cathedral (2015) and Perhaps Today... (2017), and is currently in post-production of her third short, Rouge in Black & White. She is currently developing her fourth short film and her feature debut. She gained experience by working in short and feature films including the two Academy Award® nominated Lebanese films, Ziad Doueiri’s The Insult (2017) and Nadine Labaki’s Capernaum (2018), as well as Matty Brown's The Sand Castle (Netflix, 2024), and three upcoming features: Nadim Tabet’s In This Darkness I See You, Cyril Aris' It’s a Sad and Beautiful World, and Danielle Arbid's Love Conquers All (in post-production). Nadine is a co-founder of MovieTailor Pictures, a film production and distribution company based in Lebanon. As a producer, she has developed several projects, including the Pakistani short documentary, In Zainab’s Heaven (2023), winner of the Special Jury Mention at Fribourg International Film Festival and Film SouthAsia 2024. She is also an alumna of Talents Beirut (Berlinale Talents), Beirut-Locarno Industry Academy International, and Impact Lab Lebanon/Syria.
Co-Writer:
???? Rouge in Black & White
Director:
2015 The Blind of the Cathedral
2017 Perhaps Today...
???? Rouge in Black & White
Editor:
2015 The Blind of the Cathedral
2017 Perhaps Today...
???? Rouge in Black & White
Intern:
2015 The Blind of the Cathedral
2017 Perhaps Today...
2018 Capernaum
???? Rouge in Black & White
Producer:
2015 The Blind of the Cathedral
2017 Perhaps Today...
2018 Capernaum
2023 In Zainab's Heaven
???? Rouge in Black & White
Script Supervisor:
2015 The Blind of the Cathedral
2017 Perhaps Today...
2017 The Insult
2018 Capernaum
2023 In Zainab's Heaven
2024 The Sand Castle
???? Love Conquers All
???? Rouge in Black & White
Sound Editor:
2015 The Blind of the Cathedral
2017 Perhaps Today...
2017 The Insult
2018 Capernaum
2023 In Zainab's Heaven
2024 The Sand Castle
???? Love Conquers All
???? Rouge in Black & White
Thanks:
2015 The Blind of the Cathedral
2017 Perhaps Today...
2017 The Insult
2018 Capernaum
2022 Conversations with an Actress
2023 In Zainab's Heaven
2024 The Sand Castle
2025 Tentigo
???? Love Conquers All
???? Rouge in Black & White
Writer:
2015 The Blind of the Cathedral
2017 Perhaps Today...
2017 The Insult
2018 Capernaum
2022 Conversations with an Actress
2023 In Zainab's Heaven
2024 The Sand Castle
2025 Tentigo
???? Love Conquers All
???? Rouge in Black & White
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.