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Eitan Berditchevsky (b. 1999)

Birthplace:
Mexico City, México

Born:
October 10, 1999

Biography from TheMovieDB

Eitan Berditchevsky Atri was born in Mexico City, Mexico and studied for a bachelor degree in Digital Film Production at the University of Monterrey (Universidad de Monterrey, UDEM). In 2018 he had his first experiences in audiovisual productions, participating mainly in fiction projects and commercials.  His work as a cinematographer has been selected at local and international film festivals such as Kinorum, First-Time Filmmaker Sessions, Best of Latin America Short Film Festival, and The Lift-Off Sessions. He has also participated in fiction short films selected within the Monterrey International Film Festival, Shorts México and at the Morelia International Film Festival.  His interest in both still and motion photography has led him to explore various mediums and techniques. As well as receiving recognition in various areas of photography (he was Selected in Emerging Images 2021 by CONARTE)  As part of the camera and lighting department, he has participated in "Ctrl Z", as Director of Photography, Dir. Isaac Areizaga (2019, Fiction, Digital UHD, 8 min.). "Request #17", as a maker in its entirety, Dir. Eitan Berditchevsky (2020, Fiction, Digital UHD, 4 min.). "Al menos nosotras", as grip, Dir. Melissa González (2020, Fiction, Gotera Films, Digital UHD, 17 min) “Tiktokealo” by Toni U, as second assistant camera, Dir. Edgar Pavia (2020, Monera Co., music video, Digital UHD, 3 min.) “Toda Una Vida” by Juancho Moreno, as first camera assistant (2021, Fiction, Digital 4k, in post). “Lazos” by Mariana Meza, as director of photography (2021, Fiction, Digital UHD, in post). And most recently in the project attached to these application forms. “Reserva Familiar”, as DP, Dir. Isaac Areizaga (2022, Fiction, Digital 4K, 17 min.).

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Additional information:

The Search Form


Film Production

Colorist:
2023  Family Reserve

Director:
2022  Shemesh
2023  Family Reserve

Director of Photography:
2022  Shemesh
2023  Family Reserve

Editor:
2022  Shemesh
2023  Family Reserve

Executive Producer:
2022  Shemesh
2023  Family Reserve

Writer:
2022  Shemesh
2023  Family Reserve

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.