A work in constant progress (and occasional regress).
Alias:
c.
Franco-Canadian director and editor who studied and worked for several years in cinema and video in Quebec.
Art Department Trainee:
2022 South Sentinel
Cinematography:
2019 Intersounds
2019 Oneiroi
2022 South Sentinel
2023 Le noir de tes yeux
Director:
2019 Intersounds
2019 Oneiroi
2022 South Sentinel
2023 Le noir de tes yeux
???? The dreamer, the stalker and the savior
Director of Photography:
2019 Intersounds
2019 Oneiroi
2022 South Sentinel
2023 Le noir de tes yeux
???? The dreamer, the stalker and the savior
Editor:
2019 Intersounds
2019 Oneiroi
2022 South Sentinel
2023 Le noir de tes yeux
2024 Kartouche
???? The dreamer, the stalker and the savior
Editorial Consultant:
2019 A Man Doing Man Things
2019 Intersounds
2019 Oneiroi
2022 South Sentinel
2023 Le noir de tes yeux
2024 Kartouche
???? The dreamer, the stalker and the savior
Producer:
2019 A Man Doing Man Things
2019 Intersounds
2019 Oneiroi
2022 South Sentinel
2023 Le noir de tes yeux
2024 Kartouche
???? The dreamer, the stalker and the savior
Thanks:
2019 A Man Doing Man Things
2019 Intersounds
2019 Oneiroi
2022 South Sentinel
2023 Le noir de tes yeux
2024 Alter Ego Film Project
2024 Kartouche
???? The dreamer, the stalker and the savior
Writer:
2019 A Man Doing Man Things
2019 Intersounds
2019 Oneiroi
2022 South Sentinel
2023 Le noir de tes yeux
2024 Alter Ego Film Project
2024 Kartouche
???? The dreamer, the stalker and the savior
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.