A work in constant progress (and occasional regress).
Aerial Camera:
2013  Angkor Rediscovered
Camera Operator:
1964  Champagne for Savages
2013  Angkor Rediscovered
2018  Mammifères marins, les maîtres des abysses
Cinematography:
1954  The Pirates of the Bois du Bologne
1955  The Aristocrats
1959  The Tiger Attacks
1964  Champagne for Savages
1968  Emma Hamilton
1975  Beyond Fear
2013  Angkor Rediscovered
2018  2017,  The Disaster Diaries
2018  Mammifères marins, les maîtres des abysses
Director of Photography:
1947  The Kids Are Leading the Investigation
1950  La montagne est verte
1952  Le crime du Bouif
1952  The Forest of Farewell
1953  Koenigsmark
1954  Rasputin
1954  The Contessa's Secret
1954  The Pirates of the Bois du Bologne
1955  Les Hommes en blanc
1955  The Aristocrats
1957  Escapade
1957  The Tricyclist
1957  The Wheel
1958  Clara and the Villains
1959  It Only Happens to the Living
1959  The Night of the Hunted
1959  The Tiger Attacks
1959  Tonight We Kill
1960  Marie of the Isles
1961  All the Gold in the World
1961  The Crumblers Are Doing Well
1962  Arsène Lupin vs. Arsène Lupin
1962  The Dance
1962  The Iron Mask
1963  Ladies First
1964  Champagne for Savages
1964  Coplan, Agent 005
1964  Death, Where Is Your Victory?
1965  Circus Angel
1965  Ivory Coast Adventure
1965  Mission to Caracas
1965  The Dirty Game
1966  The Other Truth
1966  The Saint Lies in Wait
1967  Dead Run
1968  Birds of Prey
1968  Emma Hamilton
1971  Le Cri du cormoran, le soir au-dessus des jonques
1973  La brigade en folie
1975  Beyond Fear
2013  Angkor Rediscovered
2018  2017,  The Disaster Diaries
2018  Mammifères marins, les maîtres des abysses
Camera Operator:
1973  Molière pour rire et pour pleurer
Director of Photography:
1968  Sylvie des trois ormes
1973  Molière pour rire et pour pleurer
1978  Ce diable d'homme
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.