Allusia

Alias:
Allusia Alusia
Cole Hartley

Allusia emerged onto the drag scene in the Pacific Northwest 21 years ago in punk rock hair and political statements. Inspired by artists that marched to the beat of their own drums like Cyndi Lauper and Nina Hagen, as well as savagery of the animal kingdom, Allusia always strove to unapologetically carve out her unique spot in the ecosystem of art. With lyrics inspired by prehistoric desires and looks divined from esoteric fever dreams, she crashed into the scene like a bull into a china shop – and hasn’t had time to look back. Her first drag performance was a fundraiser for Stonewall Youth, a nonprofit organization dedicated to providing resources and a place of belonging for queer youth. From there she went on to perform in various drag shows, house parties, and seedy garage rock shows as well as becoming part of local grassroots political movements. At 19, she became the youngest ever co-chair of Olympia Gay Pride and has ever since strived to make the world a better place for the queer community. At 25, Allusia packed a U-Haul and moved to Los Angeles with no plan, no money, and no clue. Wasting no time, she quickly became a staple in the West Hollywood party scene with residencies at Here Lounge, Micky’s, The Abbey, Hamburger Mary’s, The Factory, and more. She has appeared on stage with Christina Aguilera, Jennifer Hudson, La Bouche, Bright Lights, and a slew of others that she cannot remember due to various blackouts. Fueled by the delights of being a nightlife socialite, she became a video ho in countless music videos and made saucy drag appearances in movies and television shows such as AJ And The Queen, Bones, Glow, Dorothy, and We Are Your Friends as well as casting and starring in cult drag favorite Cherry Pop. After a six-year break from making music, Allusia rode back in with a sex-fueled do whatever you want party single called “Psycho Pony.” Her upcoming EP Animal Nature remains true to her riotous roots while including a glossy pumped-up new feel. With the second single “Party Rhino” near the horizon, it feels like the after-party might go on forever.

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.