A work in constant progress (and occasional regress).
Alias:
徐柏文
Birthplace:
Hangzhou, Zhejiang, China
I grew up in a megacity in China called Hangzhou. For years, I witnessed how fast a city could grow and the incredible speed of people moving in. One side was enormous economic miracles. Another side was inequality led by high housing prices caused by rapid changes. Like in "After Algos," people see inequality but behave differently. They cheer, they accept, and they riot. "After Algos" is not just a film about a machine; it’s about the humans behind it. I started filmmaking before the pandemic and worked as a cinematographer/director in recent years. My first film participated was also a sci-fi film Orange Cube Project shot in Shanghai, China. After that, I started doing commercial work/music videos with talented musicians. Then I found myself digging into narrative film production after I moved to Champaign, IL. I shot different films involving drama, horror, sports, crime, experimental, etc.
Colorist:
2022 Wuxing Warriors: An Asian-American Epic
2023 The Waiting Room, or Eggs in Purgatory
Director:
2022 Wuxing Warriors: An Asian-American Epic
2023 The Waiting Room, or Eggs in Purgatory
2024 After Algos
Director of Photography:
2022 Wuxing Warriors: An Asian-American Epic
2023 The Waiting Room, or Eggs in Purgatory
2024 After Algos
2024 Dumbass 2
Editor:
2022 Wuxing Warriors: An Asian-American Epic
2023 The Waiting Room, or Eggs in Purgatory
2024 After Algos
2024 Dumbass 2
Gaffer:
2022 Wuxing Warriors: An Asian-American Epic
2023 The Waiting Room, or Eggs in Purgatory
2024 After Algos
2024 Dumbass 2
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.