Mohammed Aldokhei

Birthplace:
Riyadh, Saudi Arabia

Mohamad AlDokhei is a celebrated Saudi actor who has left an indelible mark on the entertainment industry. Born and raised in Riyadh, his talent and passion for acting blossomed from an early age. With a charming personality and a natural gift for comedy, he quickly established himself as one of the most beloved actors in the Saudi Arabian film industry. AlDokhei gained widespread recognition for his roles in multiple iconic Saudi series, most notably the immensely popular shows "Khamblah" and "AlKhallat." These series captivated audiences across the nation and the region, amassing billions of views and becoming cultural touchstones in Saudi Arabia. Such was their influence that "AlKhallat" eventually into a feature film called "Alkhallat+," further solidifying AlDokhei's status as a household name. Although he initially made a name for himself through his comedic prowess, AlDokhei has consistently challenged himself by exploring diverse genres and expanding his range as an actor. His latest film, "MANDOOB," showcases his versatility and his exceptional talent for delivering powerful and emotionally charged performances. Mohamad AlDokhei has formed a strong artistic bond with esteemed director Ali Al-Kalthami. Their collaborations have resulted in numerous successful projects, with each endeavor pushing creative boundaries and resonating with audiences on a profound level. Their shared vision and synergy have become a trademark of their work, and their partnership continues to yield remarkable cinematic achievements.

Additional information:

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Executive Producer:
2022  Alkhallat+

Production Manager:
2016  Is Sumiyati Going to Hell?
2017  Wasati
2022  Alkhallat+

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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