Paul Tellefsen (b. 1992)

Alias:
Paul G Tellefsen
Paul Gilbert Tellefsen
technopaul

Birthplace:
Dallas, Texas, USA

Born:
May 5, 1992

Paul Tellefsen is an entrepreneur and digital marketer who specializes in brand strategy, graphic design, and filmmaking. He is the founder of "technopaul productions, LLC", a production company based in Dallas, TX. Paul Tellefsen uses the pseudonym, technopaul for his professional work.  Paul Tellefsen believes that people and stories have the power to unite us through innovating digital and analog connection. This conviction has led him to create several documentaries about the creative industry.  Education: Paul Tellefsen graduated from the University of Texas at Dallas in 2013 with a Bachelor of Arts in Emerging Media and Communication.  Companies: Paul Tellefsen is the Founder & CEO of "technopaul productions, LLC". Paul Tellefsen is the Founder & Creative Director of Able Creative House, LLC and the Co-Founder of House of Growth.  Awards: Paul Tellefsen was a recipient of the 2019 Creative Director of the Year at the Canadian Country Music Awards for his work with Country Music Star Paul Brandt. He was also recognized as a Webby Honoree at The Webby Awards in 2020 for his work with Land Rover.  Influenced by: Paul Tellefsen is influenced by Ryan Sisson, an entrepreneur and American businessman. He is also influenced by Geoff McLean, an Academy Award nominated producer.

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Director:
2013  Instagram Is

Producer:
2013  Instagram Is

Writer:
2013  Instagram Is

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.