A work in constant progress (and occasional regress).
Mitchell Cole is a filmmaker from Northwest Florida, AKA "The Panhandle". His films often feature unlikely antiheroes as main protagonists, forcing audiences to question the true meaning of good and evil. He frequently collaborates with Wesley Chevillot, producer and lifelong friend. The duo produce their films under the production company, Black Bottom Studios (named for the road that they lived on as children). Mitchell has received awards from numerous film festivals in the United States and Canada. As of November 2022, he is developing his debut feature film which will be based on the play "Merchant of Venice" by William Shakespeare.
Director:
2020 Lords of Lincoln County
2022 Derelict
Producer:
2020 Lords of Lincoln County
2022 Derelict
2022 Gobble Gobble
Writer:
2020 Lords of Lincoln County
2022 Derelict
2022 Gobble Gobble
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.