J. Dylan Mehring

Birthplace:
York, PA

J. Dylan Mehring is a filmmaker born in York, Pennsylvania. After graduating from Stevenson University's Film & Moving Image program, Mehring lived briefly in Santa Fe, New Mexico, where he worked as a member of the COVID team for both Roswell, New Mexico Season 4 and Waco: Aftermath. He currently resides in Baltimore, MD with his wife and filmmaking partner Macy Mehring.

Additional information:

The Search Form


Camera Operator:
2020  Trick or Bleat

Colorist:
2019  Do Us Part
2020  Trick or Bleat
2022  The Madness in the Grooves

Compositor:
2019  Do Us Part
2020  Trick or Bleat
2022  The Madness in the Grooves

Costume Design:
2019  Do Us Part
2020  Trick or Bleat
2022  The Madness in the Grooves

Costume Designer:
2019  Do Us Part
2020  Trick or Bleat
2022  The Madness in the Grooves

Costumer:
2019  Do Us Part
2020  Trick or Bleat
2022  The Madness in the Grooves

Director:
2017  SPOT
2019  Do Us Part
2020  Trick or Bleat
2022  The Madness in the Grooves
????  Prototype

Director of Photography:
2017  SPOT
2019  Do Us Part
2020  Trick or Bleat
2022  The Madness in the Grooves
????  Prototype

Editor:
2017  SPOT
2019  Do Us Part
2020  Trick or Bleat
2022  The Madness in the Grooves
????  Prototype

Location Coordinator:
2017  SPOT
2019  Do Us Part
2020  Trick or Bleat
2022  The Madness in the Grooves
????  Prototype

Music Supervisor:
2017  SPOT
2019  Do Us Part
2020  Trick or Bleat
2022  The Madness in the Grooves
????  Prototype

Original Music Composer:
2017  SPOT
2019  Do Us Part
2020  Trick or Bleat
2022  The Madness in the Grooves
????  Prototype

Producer:
2017  SPOT
2019  Do Us Part
2020  Trick or Bleat
2022  Praetorian
2022  The Madness in the Grooves
????  Prototype

Property Master:
2017  SPOT
2019  Do Us Part
2020  Trick or Bleat
2022  Praetorian
2022  The Madness in the Grooves
????  Prototype

Screenplay:
2017  SPOT
2019  Do Us Part
2020  Trick or Bleat
2022  Praetorian
2022  The Madness in the Grooves
????  Prototype

Second Unit Director of Photography:
2017  SPOT
2019  Do Us Part
2020  Trick or Bleat
2022  Praetorian
2022  The Madness in the Grooves
????  Prototype

Set Decoration:
2017  SPOT
2019  Do Us Part
2020  Trick or Bleat
2022  Praetorian
2022  The Madness in the Grooves
????  Prototype

Set Designer:
2017  SPOT
2019  Do Us Part
2020  Trick or Bleat
2022  Praetorian
2022  The Madness in the Grooves
????  Prototype

Story:
2017  SPOT
2019  Do Us Part
2020  Trick or Bleat
2022  Praetorian
2022  The Madness in the Grooves
????  Prototype

Visual Effects Editor:
2017  SPOT
2019  Do Us Part
2020  Trick or Bleat
2022  Praetorian
2022  The Madness in the Grooves
????  Prototype

Writer:
2017  SPOT
2019  Do Us Part
2020  Trick or Bleat
2022  Praetorian
2022  The Madness in the Grooves
????  Prototype

Health and Safety:
2019  Roswell, New Mexico

About the Movie Section

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Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.