Kurt Ulrich (1905-1967)

Gallery Unavailable

Birthplace:
Berlin, Germany

Born:
June 28, 1905

Died:
September 11, 1967

Additional information:

The Search Form


Executive Producer:
1952  At the well in front of the gate
1954  Emil and the Detectives
1964  I Learned It from Father

Producer:
1933  Die Goldgrube
1934  Ich tanke, Herr Franke
1934  Tempo, Carlo, Tempo
1936  Funny and Serious Things about the Great King
1949  Nichts als Zufälle
1950  The Black Forest Girl
1952  At the well in front of the gate
1953  Der Vogelhändler
1953  Mailman Mueller
1953  Wenn am Sonntagabend die Dorfmusik spielt
1953  When the White Lilacs Bloom Again
1954  Emil and the Detectives
1954  On the Reeperbahn at Half Past Midnight
1955  Das fröhliche Dorf
1955  Der fröhliche Wanderer
1955  If the Father and the Son
1956  Charley's Aunt
1956  Das Donkosakenlied
1956  Das Sonntagskind
1956  Spy for Germany
1956  Was die Schwalbe sang
1957  Bank Vault 713
1957  Die Beine von Dolores
1957  Seamen
1957  The Fox of Paris
1957  Vater sein dagegen sehr
1958  Der Eiserne Gustav
1958  Der Maulkorb
1958  Der Pauker
1958  Hoppla, jetzt kommt Eddie
1958  Immer die Radfahrer
1958  The Copper
1959  Paradies der Matrosen
1959  Roses for the Prosecutor
1960  The Avenger
1960  The Judge and the Sinner
1960  The Last Witness
1960  The Young Sinner
1960  Wenn die Heide blüht
1961  Ach Egon!
1961  Blond muß man sein auf Capri
1961  Drei Mann in einem Boot
1961  Kauf Dir einen bunten Luftballon
1962  Eheinstitut Aurora
1962  Kohlhiesel's Daughters
1962  Sein bester Freund
1963  The Threepenny Opera
1964  I Learned It from Father
1964  Legend of a Gunfighter
1968  Therese and Isabelle

Production Director:
1933  Die Goldgrube
1934  Ich tanke, Herr Franke
1934  Tempo, Carlo, Tempo
1936  Funny and Serious Things about the Great King
1939  Das Glück wohnt nebenan
1949  Nichts als Zufälle
1950  The Black Forest Girl
1952  At the well in front of the gate
1953  Der Vogelhändler
1953  Mailman Mueller
1953  Wenn am Sonntagabend die Dorfmusik spielt
1953  When the White Lilacs Bloom Again
1954  Emil and the Detectives
1954  On the Reeperbahn at Half Past Midnight
1955  Das fröhliche Dorf
1955  Der fröhliche Wanderer
1955  If the Father and the Son
1956  Charley's Aunt
1956  Das Donkosakenlied
1956  Das Sonntagskind
1956  Spy for Germany
1956  Was die Schwalbe sang
1957  Bank Vault 713
1957  Die Beine von Dolores
1957  Seamen
1957  The Fox of Paris
1957  Vater sein dagegen sehr
1958  Der Eiserne Gustav
1958  Der Maulkorb
1958  Der Pauker
1958  Hoppla, jetzt kommt Eddie
1958  Immer die Radfahrer
1958  The Copper
1959  Paradies der Matrosen
1959  Roses for the Prosecutor
1960  The Avenger
1960  The Judge and the Sinner
1960  The Last Witness
1960  The Young Sinner
1960  Wenn die Heide blüht
1961  Ach Egon!
1961  Blond muß man sein auf Capri
1961  Drei Mann in einem Boot
1961  Kauf Dir einen bunten Luftballon
1962  Eheinstitut Aurora
1962  Kohlhiesel's Daughters
1962  Sein bester Freund
1963  The Threepenny Opera
1964  I Learned It from Father
1964  Legend of a Gunfighter
1968  Therese and Isabelle

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.