A work in constant progress (and occasional regress).
Birthplace:
Alexandria, Egypt
Born:
July 17, 1999
Mouhammed Bahloul is an Egyptian filmmaker, born in 1999, and studying philosophy in the faculty of arts. Started his cinematic journey in 2018 by directing his first short film (The Spring), then became co-founder of Independent content production helping the new generation of filmmakers to produce their projects. Mouhammed finally directed his second film, an experimental project called (Russian Roulette) in 2022 besides working as a technical supervisor and translator of a short film called (What's in the Case?), a first assistant DOP in (Vengeance of the son) short film, and directing multiple episodes in the upcoming series called (Temonizm).
Director:
2022 Russian Roulette
Script:
2022 Russian Roulette
Technical Supervisor:
2022 Russian Roulette
2022 WHAT'S IN THE CASE?
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.